What Would You Like to See?
Paul Malley • 3 July 2020
What would you like to see...?
Over the last 35 or so years in which I have greatly enjoyed my photography, there have been many advances as a consequence of technology. In the 'good old days' (so called), of film, before software programs were needed, these advances were mainly in the field of lenses and camera bodies/internal functions. The advent of Digital has produced some remarkable leaps forward in what can be attained, so much so that a basic 'entry level' camera, kit lens and free software can produce excellent outputs.
I have pondered what the future may bring, especially when we consider that certain things which we previously thought impossible, may, in the future be potentially achievable. With this in mind, here is my 'Wish List' for what is my first choice for new functionality in each of the following: Camera internal, Lens and finally Software:
1. Camera Internal - Sensor Development for ISO : It goes without saying that not too long ago, anything with an ISO above 400 was to be avoided, especially with film, unless you wanted grain the size of golf balls! Sensor development in Digital Cameras is astounding today, to the extent that an ISO of 12800 is eminently useable and, although I have never used it in anger, H+ at 104,000 ISO can easily identify details in standard photography. Personally, I do not consider flash requirement until I get to 6400 ISO, as I know the sensor is good and then software can assist further post capture. However, there is a difference in the ISO capability between full-frame and the variance of Crop. This is where I would like to see development further. We are aware of current limitations of the number of sites which can be placed on a sensor, their position on the array, their light gathering capacity, and even filtering (where used), to counter effect Moiré. Come the day that a crop Sensor comes very, very close to the capability of a full frame then I may look at changing bodies. The apparent extra reach in terms of the crop at the top end of a zoom, coupled to its general weight and fast shooting rate would be good for the wildlife genre I enjoy, but I don't wish to lose the full frame benefit of post production cropping without image detriment. This is a continual area for technological advancement, - since there must come a point where the physical limit of the Sensor is reached and then science can turn to the voltage variance across the sensor to assist the ISO.
2. Lens - Range and Weight : As I've mentioned above, I enjoy my wildlife photography. Because medical science cannot yet reverse the effects of aging, lugging a full frame kit round for the day can be tiresome. I use a 100-400mm zoom with a 1.4 extender (effective range becomes 100-560mm), which covers most options. My latest firmware update allows the camera to operate with f value at f8 or below for autofocus, plus values above. The alternative to this is the mighty 500mm f4 fixed prime. Zooms are great, but the images from a prime are generally accepted to be better (MTF charts as evidence). Optics nowadays cover 150-600mm with ease; my wish would be a 10-600mm f4, yes, that's correct 10mm-600mm. I would suggest f2.8, but I think the laws of optics may discount this, and the lens cap would be the size of a dustbin lid for the light gathering capability. I'd also have to hire Arnold Schwarzenegger, or a team of Nepalese Sherpas to carry the kit. The length of this beautiful optic must be less than 10" to keep the unit balanced. Improbable, maybe, but hey, it took just 10 years from nothing to get a man on the moon, so who knows...
3. Software - A return to single purchase programs (not monthly), which can be customised : There's two very good reasons why I do not use the current monthly payment for LR and PS; firstly, as a Yorkshireman I think its overpriced, and secondly its full of extra bits that I'd be paying for, which I would never use in a million years (I'm back to that medical ageing thing again). I know that the Adobe package is regularly updated and it's all done for you, but 3yrs+ at £10/month is £360.00+. I think there are better programs available. I currently use PS Elements13, (it's so old that some of the functions are written in Latin), however, it was a one-off purchase for £40 and it generally meets my needs. I say generally, because there are a few extras from other mixed programs which I would like and would use, therefore my reasoning for a 'customised package tailored to meet customer specification.' I would like to order a version of PS, or even the cut down version of PSElements which have the following embedded, and not as a bolt on: Fully backwards compatible RAW interface to open files in: Individual colour channel sliders for use in Black and White: A Curves adjustment rather than limited sliders, a quality Panoramic Stitch and a 75 image Stacking function. The closest I have seen to this, to date is Serif Affinity. I would go on-line, order my customised program and then receive the CD in the post - aaah, the good old days again.
So, there we go; that's my vision and aspirations to the Photographic Industry.
I'd like to hear your thoughts, hopes and wishes for where we could go in the years ahead.
Louth Photographic Society

Good morning All Last week at the club we held our monthly competition, a PDI, with the categories of "Insects" and "Open". There was a good level of entries and some excellent photography. The competition was judged by Colin Lusby of NELPS Photographic Society. The "Open" category was won by Dave Turner with an excellent landscape of Llanberis, and I managed a first place in the subject competition with a Willow Emerald Damselfly, still quite rare but I photographed this one at Bressingham Gardens Norfolk. The results and photographs are on are website under competitions. This week, Wednesday 21st January, is our project night, only four members took part, hopefully more will take part this year. The subject was "Prime Time", one photograph a month with the same focal length lens. To finish the evening, Paul Twomey is showing his mini lecture that he missed last time, and newer member Sam Collett is showing some of his work. The new project subject is Water, one photograph a month including water. There is plenty of water about at the moment, the rivers are flowing well for a start. Dave Turner will now accept your titles for Print of the year, the same subjects as the PDI of the year but with the addition of Best mono in competition as well. This is chosen by the judge from any mono print in the six subjects. Regards Graham

It was our first meeting after the Christmas break, it was good to be back and the meeting was well attended. We held a PDI competition with the categories of “Insects”, and “Open”, our judge for the evening was Colin Lusby, who is a very experienced judge, and he gave many useful tips, and suggestions on how to improve our images for greater impact. Dave Turner took the well deserved top spot, in the “Open” category with his image of “Moody Llanberis”, landscape photography doesn’t just need a good view, the skill is in capturing the mood, the light, and the shadows, as well as the scene – Dave has captured the scene perfectly, it’s a view that anyone would love to hang on their wall. In the “Insects” category, Graham Harrison took the top spot with his perfectly sharp Willow Emerald Damselfly, this is a beautiful green iridescent insect pictured on a stalk, an excellent capture. The Competition page on the our website has been updated with the top three images in each category, and the score sheets.

Good Morning All I photographed this Treecreeper bird at Linwood Warren recently. We start back again this Wednesday 14th January with a PDI competition, the categories are "Insects" and "Open" to be judged by Colin Lusby of NELPS. The list of entries has been sent out and we have a good entry, fifty images altogether. The following week we hold our project night, "Prime Time", we have four members showing their images from the project. Regards Graham

The use of monochrome images seems to be coming back into fashion of late. Many of a certain generation will remember when monochrome was everywhere, television, newspapers, magazines, films, and our own photos (black and white film was less expensive), I remember in the mid sixties when the Sun newspaper (a broadsheet at that time) and the Daily Herald began a rivalry to publish the most colour photos into each edition. Monochrome images can sometimes convey a mood, and detail that’s not always evident in a colour photograph. Converting a digital colour image to monochrome can take a fair amount of skill, sometimes it’s helpful to visualise the image as a monochrome before even taking the photo, when editing the blacks have to be rendered as pure black, and the whites rendered as pure white, with a range of greys in-between, otherwise an image can look “muddy”. If your camera allows possibly try shooting some images in monochrome. Portraits, architecture, landscape, street photography, and trees often make the best monochrome images, and rarely wildlife, although my image of a lizard is quite effective. I shall be running a “Photo Editing” workshop on the 4th February, and members will have a chance to try converting colour digital images to monochrome.

Good Morning All I have been out a few times with my camera, there are a lot of Fieldfares around in large flocks at the moment, the only trouble is they soon take flight so are quite hard to get near, this one was from the car window. Our first meeting back in the New Year will be January 14th opening with a PDI competition, the categories are "Insects" and "Open" judged by Colin Lusby, please send your entries to Harry with a closing date of midnight the 7th January. The following week is the project night where members were asked to take part and using a prime lens take one photograph a month. Myself and Derek have done the project could any members who have taken part let me know please so I have an idea how much time will be left over. We are hoping to enter the N&EMPF club PDI competition and LPA club PDI competition, Harry as usual will organise an entry for us but if you can send him up to six of your very best PDI's when you have time, please. The main rule is it can't have been in the competition before. You may need to send them in two files as LPA use a size of 1920 x 1080 and NEMPF 1600 x 1200. The new project for this year is water, one photograph a month which includes water. The projects will be then shown January 2027. There is also the LPA individual PDI competition you may want to enter, Derek sent details a few weeks ago but information can be found on the Lincolnshire Photographic associations website. Regards Graham

So, why did I swap my Olympus OM-D E-M5 iii camera, and associated lenses for the Fuji XT-3 and lens system, and return to Olympus / OM Systems just a few years later? The Olympus E-M5 iii was, and still is a very capable camera, with a 20Mp micro four thirds sensor, and fully weather proofed, my camera upgrade path was to the OM-D E-M1 iii, but it would have cost me at least £1000, providing me with dual SD cards, and a few extra controls. It was cheaper for me to sell all my Olympus gear, and buy into the Fuji ecosystem, the XT-3 had the dual SD card slots, and promised to have improved image quality. The Fuji lens selection was extensive, and I bought a pair of zoom lenses, and a couple of prime lenses. Later on I bought the Fuji XS-20 as an everyday carry camera, but it was forever warning of overheating. I was content with the Fuji system for several years, I would liked to have photographed more birds, and wildlife, however the reach (focal length) of the 70-300mm Fuji lens was a limiting factor. I took some of my best photographs with the Fuji system, and the Fuji 16-80mm zoom lens was one of my favourite all-round lens. The turning point for me was the launch of the OM Systems OM-1, with a stacked BSI sensor, and subject detection AF, I could have chosen a Nikon, or Canon camera system but the lens selection was limited at that time for the latest mirror-less cameras. I sold all the Fuji gear, and bought a used OM-1 camera for £850, closely followed by a 12-45mm f/4 zoom lens, the 17mm f/1.8 prime (an all time favourite of mine) the 25mm f/1.8, and the 45mm f/1.8 prime. I’ve repurchased the Olympus E-M5 iii, as it’s a great small everyday carry for travel, and general photography. The lens I bought last year was the 60mm f/2.8 macro lens, which has enabled me to take some great insect photos. For bird, and wildlife photography I have been using the Olympus 70-300mm zoom lens, but I’ve just upgraded that to a OM Systems 100-400mm zoom lens, which is stabilised to 7 stops of IBIS on the OM-1, and is fully waterproof, and dustproof. As the micro four thirds sensor is smaller than a full frame sensor, you have to double the focal length to obtain an equivalent viewing angle to a full frame camera, thus the 100-400mm lens becomes equivalent to 200-800mm on a full frame camera. For this coming year I intend to be more focused (no pun intended) on landscape, and wildlife photography, watch this space. Whatever camera, or phone you’re taking photos with just enjoy your hobby, and keep learning and improving.

I hope that everyone has had a very good, and healthy Christmas. For our Programme for the New Year, I shall be running a photo editing workshop on 4th February, I will provide each participating member with an SD card containing example images for us to work together in editing. I shall be using three photo editing apps, which are all free to download and use, the first of which is: FastStone – This is the software that our Society uses for displaying images during our PDI competitions. The software is excellent for reviewing a file of .jpg images, basic edits, and resizing of images. The software is unable to develop RAW images, but does show a thumbnail preview which can be useful for culling a set of RAW images. Microsoft Windows only. Canva Affinity – This is excellent for developing a single RAW image, processing Focus Stacking, and Bracketed Exposure images. The software also can be used for layering, and compositing of images. I will be demonstrating the Focus Stacking, Bracketed Exposures, layering and compositing of images. You will need a Canva account to download this free software which runs on Windows, and Apple Mac. RawTherapee – This is an extremely complex photo editor, but I firmly believe that the software can rival anything that Adobe produces without the bloat, and cost. However the software has a steep learning curve, especially with the masking tools. One of the best features for me is the preview ribbon of a set of images at the top of the screen, I also like the tabbed editing tools, it is also possible to batch process basic edits onto a RAW file using a RawTherapee pp3 file. RawTherapee can be downloaded to Windows, Mac, and Linux. To gain the best from the workshop I would ask members to download all three software apps to their laptops. In addition there are YouTube tutorials on the use of RawTherapee, which I would encourage you to watch, and that way we can work together to understand how to produce the best results from the software. Wishing all our members a very happy, and prosperous New Year.

Good Morning, All, We had a very good last meeting before Christmas, thank you to my partner Jane for her hard work preparing the buffet, also thank you to Tony for preparing the quiz, there were some very good questions with Robin and Heather coming out on top with a fantastic 48 points. Thank you to Harry as well for running the raffle and to everyone who donated a prize. We now start our Christmas break but if you get bored there are things that you could be doing. The first meeting back on 14th January will be a PDI competition, with the categories of "Insects" and "Open", you can start sending entries to Harry now, remember three insect entries and three open entries with an (R) after one entry which will be removed if there are too many entries, but you may use it some other time. Derek sent information regarding the individual LPA PDI competition, it would be good if a few members entered. They do like you to go along on the day of the competition as well if you enter or just go along anyway if you didn't. The Print Of The Year (POTY) competition is held in February, so it would be a good time to look through your prints and sort some out ready. For newer members it may seem a funny time of year but our camera club year runs from the beginning of May to the end of April, all rules are under competitions on our website but the main one is that your entry hasn't been in a print of the year competition before, there are six subjects plus best mono in competition, this can be from any of the subjects. The subjects are Landscape, Pictorial, Nature, Photojournalism / Street, Record and Portrait. Regards Graham

The buffet and quiz evening was one of the highlights of our calendar, it's the culmination of the year's events before the Society takes a Christmas break. The buffet was excellently prepared by Jane, who is Graham's partner, with plenty of delicious food, pork pies, sandwiches, plum bread, with cheese, quiche, mince pies, and cake. Tony Gaskins produced an esoteric quiz, and Robin and Heather scored the most points with 48 points, I scored a miserable 17 points, but we all had a lot of fun with the answers. The raffle raised £47, with some members collecting more prizes than others, amid lots of laughter and banter. Overall it was an excellent evening, enjoyed by all. A big thank you to Jane for the buffet, Tony for the quiz, and Harry for organising the raffle. Wishing all our members, and readers a merry Christmas.

