Preparing Images for PDI Competitions
Derek Smith • 18 August 2021
Preparing Images for PDI Competitions
I can’t speak for anyone else, but I’m looking forward to meeting up together as a club again and participating in the club, and inter-club competitions. Today I’m going to write about my thoughts on preparing for competitions.
Intentional photography: what are you going to photograph today? Look at the club programme and think about the images that would be needed for each competition category. I spent a few days in the Peak District recently with the full intention of capturing images for the “Trains”, and “Buildings in a Landscape” categories, I’m not sure that I achieved my goals, but the most important thing about our hobby is the pure pleasure, and enjoyment of taking pictures. Don’t get hung up if you haven’t come away with a “great” photo, it is far more important that you have been out, and experienced the sights, sounds, and people around you.
Editing photos: my advice here is to find a photo editing suite that you are familiar with, and comfortable in using. YouTube has a great many tutorials to assist with learning the software, Nigel Danson is a landscape photographer producing regular YouTube videos with tips on composition, as well as editing techniques. Gary McIntyre is another favourite of mine on YouTube, talking you through the editing process easily.
Preparing an image for competitions: once the image has been edited, I would suggest saving the edited image at full size, for example a 6000-pixel x 4000-pixel image. Resize this image to one of the maximum dimensions, either 1200-pixel, or 1920-pixel to suit the required size for the projector, possibly saving the resized image to a temporary folder.
For the next stage an image editor that allows for working in layers is required, Adobe produce software for layering of images, as does Serif Affinity Photo, there are also free photo editors available Gimp, which is cross-platform, and Paint.Net for Windows. Open the image editor with a blank tab and create a 1920-pixel x 1200-pixel blank background image with a white, or possibly a black background, open the edited image of your choice, then copy this image, and paste onto the background, then centre the edited image onto the background. There may well be space to either side of the image, or to the top, and bottom of the image, but this is immaterial as the composite image is now optimised for viewing on a projector screen. Save the complete composite image into a memorable folder, I have a temporary folder on my drive called simply “Upload”, the composite image will now be devoid of any EXIF data, but the author's name, and title of the image can now be added, detailed instructions for doing this can be found on our website.
Sending competition entries: the edited images for submission to the competition should be sent to the Competition Secretary. The majority of us send the images via “WeTransfer”, this free to use internet software is easy to use, and notifies when the images have been sent, and when the images have been downloaded.
This portrait of Chloe has been optimised for the projector as described and is on a black background as I thought that it looked better.
I can’t speak for anyone else, but I’m looking forward to meeting up together as a club again and participating in the club, and inter-club competitions. Today I’m going to write about my thoughts on preparing for competitions.
Intentional photography: what are you going to photograph today? Look at the club programme and think about the images that would be needed for each competition category. I spent a few days in the Peak District recently with the full intention of capturing images for the “Trains”, and “Buildings in a Landscape” categories, I’m not sure that I achieved my goals, but the most important thing about our hobby is the pure pleasure, and enjoyment of taking pictures. Don’t get hung up if you haven’t come away with a “great” photo, it is far more important that you have been out, and experienced the sights, sounds, and people around you.
Editing photos: my advice here is to find a photo editing suite that you are familiar with, and comfortable in using. YouTube has a great many tutorials to assist with learning the software, Nigel Danson is a landscape photographer producing regular YouTube videos with tips on composition, as well as editing techniques. Gary McIntyre is another favourite of mine on YouTube, talking you through the editing process easily.
Preparing an image for competitions: once the image has been edited, I would suggest saving the edited image at full size, for example a 6000-pixel x 4000-pixel image. Resize this image to one of the maximum dimensions, either 1200-pixel, or 1920-pixel to suit the required size for the projector, possibly saving the resized image to a temporary folder.
For the next stage an image editor that allows for working in layers is required, Adobe produce software for layering of images, as does Serif Affinity Photo, there are also free photo editors available Gimp, which is cross-platform, and Paint.Net for Windows. Open the image editor with a blank tab and create a 1920-pixel x 1200-pixel blank background image with a white, or possibly a black background, open the edited image of your choice, then copy this image, and paste onto the background, then centre the edited image onto the background. There may well be space to either side of the image, or to the top, and bottom of the image, but this is immaterial as the composite image is now optimised for viewing on a projector screen. Save the complete composite image into a memorable folder, I have a temporary folder on my drive called simply “Upload”, the composite image will now be devoid of any EXIF data, but the author's name, and title of the image can now be added, detailed instructions for doing this can be found on our website.
Sending competition entries: the edited images for submission to the competition should be sent to the Competition Secretary. The majority of us send the images via “WeTransfer”, this free to use internet software is easy to use, and notifies when the images have been sent, and when the images have been downloaded.
This portrait of Chloe has been optimised for the projector as described and is on a black background as I thought that it looked better.
Louth Photographic Society
Good Morning All I was having my lunchbreak on the Wolds last week and spotted this tree in a field next to me, it does give the impression it's looking at you. I hope you're all enjoying the summer break, time does fly by and it's time to get ready for returning to the club on the 9th of September. We start with mini lecture, 15 minutes on what you have been doing over the summer. If you want to take part, please email me and we will see how many we have. The September PDI competition is coming up as well on the 23 rd of September, Objects in the air and open, Harry will now start taking your entries, three entries in each subject with an (R) after one of them to be removed if there are too many entries. Derek sent the N&EMPF Exhibition entry forms out; I will again act as organiser for our club. The standard is very high so it's one for your best PDI's. We will view some last year's PDI's that made the grade on the 16 th of September. Regards Graham
NELPS organised an outing to the Trolleybus Museum at Sandtoft, there was some confusion with opening times, and a few of us arrived to find the gates closed, we went for a coffee!! Once inside and parked up we were welcomed by the volunteer staff, and began to take some photos around the site. A Grimsby trolleybus was running this morning, this bus had been painstakingly restored from a bare chassis, with great attention to detail, even down to sourcing the original moquette fabric to upholster the seats, it was great to be able to ride in a trolleybus again. Trolleybuses have a particular nostalgic memory for me, I lived in Uxbridge, on the outskirts of London, and the 607 trolleybus route ran past the end of my road, with a usual frequency of 5 minute intervals the buses were a common sight gliding along the main road. The 607 route was one of the longest in the country 11 miles to Shepherds Bush, taking about an hour for the journey. The trolleybus was whisper quiet, comfortable, and pollution free, and I took several trips on these. In comparison the conventional London bus the “RT” was not as quiet for longer journeys. The London trolleybuses, and eventually the London “RT” buses, were replaced with the iconic diesel fuelled Routemaster “RM” bus. I had an enjoyable visit, and many thanks to NELPS for organising the outing.
When we see a photograph what do we actually see? Does the image grab our attention? Does the image tell a story, or do we have to fill in the blanks with our own memories, and experiences? If we see a complete picture, or just a detail, which stirs our emotions most? At a recent competition a print was shown of fishing boats pulled up on the beach at North Landing, Flamborough, it was an excellent print, but the judge remarked “it’s just boats on a beach”. Do we feel the same emotion with a “normal” view, or do we want more, a storm raging, or fishermen launching the boats? Anyway, here are a few of my “abnormal” photos, first up a rusted bolt, you see I ask “who put that there?”, “what did it once hold?” Second, a vehicle excise disc, surely that stirs memories? Thirdly, a stone carved column, who carved the details? Was it shaped according to an architect’s brief, or a stone masons pattern? What emotions were felt by the stone mason? Lastly, a door handle. Where does this lead? How old is it, and how many hands have opened this door? Finally, I think that I’ve got my “mojo” back, I’ve been out more with my camera, and enjoying the experience, and surely that’s what photography is all about, the joy of capturing an image that pleases me.
The Exhibition will be in place from 10th - 29th September 2026
I was scrolling through the archives yesterday, and found these "Still Life" images. Still Life is an interesting photographic genre that requires good lighting, and compositional skills, but the results can be amazing. Here are four images of the genre, "Breakfast" showing cereal falling into a bowl, "Four Candles" (no not the ones from the Two Ronnies sketch), the moody "Decaying Tulip", and the simple but effective monochrome "Opener". Perhaps these images might give you some inspiration.
I joined the NELPS outing at Chambers Farm Woods on Wednesday. The NELPS visit to Chamber Farm wood and butterfly garden was well attended, with several members from NELPS, Grimsby, Dunholme and Louth, kind thanks to all that came, although it was very hot the butterfly garden, being rather full and slightly unkept did not let us down with butterflies, two less common were seen, a Comma butterfly and a humming bird moth, with loads of very lively common blue butterflies. Most of the insects in the butterfly garden were highly active, and by the time an insect was spotted, it was off!! I managed to just about get an image of the Comma butterfly, and nobody stood a chance with the humming bird moth, it was too fast. The dragonfly was more accommodating remaining fairly still posing for us. The next NELPS outing will be to the Peoples Park in Grimsby on Wednesday 19th, I'm busy on that day, but I will be attending the meeting at the Sandtoft Trolleybus Museum on Wednesday 26th. Many thanks to NELPS for organising these outings, it was a thoroughly pleasurable morning.
A visit to Whitby for a sunset picture didn't quite go to plan. Unknown to me today is the last day of the Whitby Regatta. Whitby in the summer is usually busy, but today it rivaled Time Square in New York. My planned shoot of the East Pier was a non-starter because for tonight only there's a fun fair along West Pier where I planned to shoot from. I had to re-think and resort to plan b, which was also a non-starter because the East Pier was closed as it was packed with fireworks. Plan c was OK though and I got an image I'm pleased with.
I've been up to RSPB Bempton Cliffs this week, and have taken some excellent photographs, the weather was fine, and the lighting was less harsh than usual. This pair were on the cliff top, obviously well established, and saw off this interloper trying to muscle in on their space, those beaks look very vicious. I hope that everyone else is having a productive summer break.
For club interaction, we are invited to these NELPS photo shoots. So lets start this club interaction, NELPS are now on there summer break, but it does not stop there. The NELPS club president has put together some outdoor photo shoots:- Lincoln 5th Aug meet at the Cathedral 11am Not forgetting the photo exhibition by Lincoln Camera Club in the Usher Gallery! Chambers Farm Wood & Butterfly Farm 12th Aug meet at 10am. Peoples Park Grimsby 19th Aug meet at 10am. Trolley Bus Museum Sandtoft 26th Aug meet at 10am Cadwell Park 10th Aug motorbikes, 24th Aug cars and both are track days so free to get in.
Sutton & Trusthorpe Camera Club have their annual Exhibition at the Meridale Hall, Sutton on Sea, on 29th / 30th August. Drink and a Home-made cake only £3!
