Photographic Experience
Derek Smith • 28 May 2021
This is the last of a quartet of blogs on photography skills, and gear. In this blog I want to focus on photographic experience, this is something that simply cannot be bought, but is acquired over time.
Photographic cameras, and lenses are tools to be used, whether the camera is a mobile phone, compact camera, mirrorless, DSLR, budget or top of the range camera it is important to be confident using the camera. Ask yourself these questions, can I change ISO, Aperture, Shutter speed, or select a focus point quickly? When is the use of continuous AF best employed? What aperture best suits my camera for a particular subject / scene?
Having a camera that feels comfortable to use, and where you know all the camera controls will produce far better images than having the latest and greatest gear. I’ve been watching a YouTube video by Chris Orange, a photographer, who is enthusing about the Fuji X-E1 that he bought second hand for £149 and taking some fantastic photos with it, my Olympus PEN E-PL7 body cost only £120 second hand, and I’ve taken some great photos with that camera. Take time to research your camera, watch set-up videos on YouTube, then set the camera the way that you want it. Know what works for you, I know that many photographers use “back button” focus, a method that I wouldn’t find useful, as I have always used a mirrorless camera with multiple focus points, and I am comfortable with a half press of the shutter button to focus on my subject.
Focus points, on my Sony cameras I used to leave auto-focus set to continuous AF, the focusing just worked. On Olympus my cameras are always set to single AF, unless I’m tracking a moving subject when I switch to C-AF with a cluster of 9 focus points, it’s learning your camera, with strengths and weaknesses that make a difference in your images. Many photographers will use fully manual mode for every photograph taken, whereas I invariably use Aperture priority mode, as I know the aperture that gives the best results in most given scenarios and remember the best aperture for a scene may be dependant on sensor size, a landscape scene on a full frame camera might be taken at f/16, but on a Panasonic, or Olympus micro four thirds sensor f/7.1, or a f/8 aperture might be more appropriate.
Get to know your lenses, for prime lenses many photographers will use a trio of lenses in full frame terms a focal length of 35mm, 50mm, and an 85mm. Sometimes though a wide aperture constant aperture zoom lens may offer best value and results, the Sony 18 – 105mm f/4, the Tamron 28-75mm f/2.8 are good examples of these type of lenses.
The next area of expertise is in the composition of your images, and the use of light. When you see a scene worthy of photographing, take time to assess the scene, and the direction of light, especially with landscape, or architectural photography, and if you know of a good location perhaps return when the light is more favourable. Take multiple shots at different angles, is there an element that either needs to be in the frame, or should be excluded? A good tip that I’ve picked up from Nigel Danson (a YouTube landscape photographer) is to visualise the scene with the screen of a mobile phone, before setting up the camera on a tripod.
Try to simplify the image, picking out the essential elements only, this will make for a more impactful image. Try and ensure that your subject is positioned correctly within the frame, on the thirds, or centrally, get as much right in camera as you can, as this will save hours of editing later.
Fill the frame with the subject, this is especially important with smaller sensor cameras, are you photographing a tree that happens to have a bird in it, or are you photographing the bird? The same will apply to insect photography try and get as close as you can, or use a longer lens. Yes, you can crop into an image to highlight the subject, but not to the point where the image is the size of a postage stamp!!
Having said all that, never be afraid of the “grab shot”, sometimes an opportunity will arise, and a few seconds is all you will have to take the shot, this photograph of Glen Coe in the Highlands of Scotland was taken on a 10 minute coach stop, out of the lay-by, the early morning November light was just right. The elements in this image are a good in-focus foreground, the leading lines of the roadside barriers, guiding the eye through the scene down the valley, the sky, the lighting, and the colours of the hillsides. Taken with a Sony A6300 camera, and a Sigma DN Contemporary 16mm f/1.4 lens. Aperture priority at f/10 to give the depth of field within the scene, 1/250 shutter speed, and ISO 1600.
Lastly, and most importantly, take the photos that please you, obviously some critique of your images will help you to mature, and grow as a photographer, but the pleasure in creating images that appeal to you is immeasurable, just enjoy your hobby, and if someone else likes your photo that is a bonus.
Louth Photographic Society
We held a print competition at our meeting last night with the categories of "Curves" and "Open". Our judge for the evening was the very competent, and accomplished Diane Seddon. Diane gave excellent critique of the prints, and one of the main themes that Diane highlighted was the presentation of the prints, siting print sizes, mount sizes, mount colours, and more thoughtful cropping of images selected for printing. Definitely food for thought, and addressing those issues will improve members points scoring in future competitions. All the prints submitted into this competition were of a very high standard, however, it was Dave Turner who swept the board with 1st, and 2nd placing in the "Open" category, and 1st, 2nd, and 3rd placing in the "Curves" category, it was a well deserved placing with some stunning prints. The Competition page of our website has been updated with the full results. Thanks to Diane Seddon for judging the competition, and Dave Mann for the refreshments.
Dave Turner, and I attended the LPA Fosters Challenge at Nettleham. The judge for the competition was Sue Wilson from Clay Cross. Axholme took first place with 19 points, Grimsby 2nd, and Cleethorpes 3rd. Louth was awarded 13 points, consisting of: Damselflies Mating – Graham Harrison 4pt Saltwick Bay – Tony Gaskins 4pt The Thinker – Keith Rossington 3pt Muted Swan – Harry Kerman 1pt Pier Number 9 – Dave Turner 1pt It was an interesting competition with some amazing images, a big thank you to Dave Turner for selecting the prints and submitting our entry into the competition.
Good Morning All Last week at the club member Chris Birchmore took us back in time with old photographs and a very interesting talk on one of Louth's old shops Platts stores. Platts stayed traditional for many years but as like most of the old shops eventually disappeared along with it's upside down sign. There is a blog on our website as well to look at. This week, Wednesday 16th April, we will hold our Print competition with the categories of "Curves" and "Open" to be judged by Diane Seddon of Cleethorpes. Harry is also now taking entries for the local PDI competition, with the categories of "Local Events" and "Open". Regards Graham
Our member Chris Birchmore gave an illustrated talk last night titled "The Shopkeeper and his Assistant". Chris related details of his family origins, and family history in Louth, in particular his connection with Platts Provision Store in Eastgate. It was a very interesting talk which evoked many memories with those members who had themselves been raised in Louth. Many thanks Chris, the preparation, and talk was excellent.
Good Morning All With all this warm weather some insects are out and about to photograph, I took this photograph in our garden with a Sigma 105mm lens to get close in on the bee. It is another month now, so you need to think about your "Prime Time" project, if you are taking part. Last week at the club Brian McCarthy FRPS showed us his personal journey in photography, Brian takes most of his photographs in his shed building models with lighting and creating photographs that most of us would never think of. This week, Wednesday 9th April, our member Chris Birchmore who will be presenting a historical talk entitled "The Shopkeeper and His Assistant" specifically talking about a relatives memories of working for Mr. Platt the Shopkeeper. For those who have prints for the next competition, with the categories of "Curves and Open", you need to send Dave Turner a list of your entries and bring the prints in this week. Regards Graham
Good morning, All Last week we held our spring committee meeting, we discussed many topics including the new program which will be available to you all soon and did some preparation for the AGM. This week, Wednesday 2nd April, Brian McCarthy FRPS will be coming along to show us some more of his work. Brian is an ex-member of our club but has more recently been a member of Grimsby Photographic Society. You can also now start sending your print titles for the Curves and Open competition to Dave Turner. Regards Graham
This year’s project is “Prime Time”, simply one photo taken each month with the same prime lens. The resulting 12 images will be shown to members on our “Project Night” next January. Why a prime lens? Well, a lens with a single focal length, a prime lens, provides a photographer with creative options. Composition of the image when using a lens such as this is essential, a photographer must choose a subject and move around that subject to obtain the photo. Every photographer should have a prime lens in their bag, and it doesn't need to be expensive. I recently switched from Fuji cameras to the Olympus / OM Systems camera ecosystem. Now, I use the OM Systems OM-1 camera with two zoom lenses and three f/1.8 prime lenses. For the “Prime Time” project, I'll creatively use the Olympus 45mm (90mm full-frame equivalent) f/1.8 lens, this lens is typically employed for portraits. This tiny, sharp lens, which captures beautiful portraits, was bought used for £149 from a reputable dealer.
Good Morning All Last week at the club we held our PDI competition for March, with the categories of "Including the Moon" and "Open" judged by Mike Bennett. It was a very good night with some excellent photographs entered in the competitions, especially the Open. There were three twenty points awarded out of twenty photographs in each subject, Tony Gaskins had a very good night winning both the subject and the Open. All the results are on our website under competitions. The NEMPF PDI Inter - club competition went ahead recently, not so many clubs entered this year, I think there were only three LPA clubs who had entered, Louth came 11th, I'll leave it there. Thank you to Harry for organising our entry. This week, Wednesday 26th March it is a committee meeting for committee members only to attend. To keep you busy though you could prepare your prints for the next print competition, with the categories of "Curves" and "Open". Regards Graham
At our meeting last night we held our Projected Digital Image (PDI) competition with the categories of "Including the Moon", and "Open". The judge for the evening was Mike Bennett. Mike skillfully judged the 33 submitted entries in the "Open" category, providing excellent feedback on the various images. After the break Mike appraised the 18 images in the "Including the Moon" category, this had been a difficult subject for members to photograph, and was also challenging for the judge. Congratulations to Tony Gaskins for his first placements with "Moonbell, Mablethorpe" in the "Including the Moon" category, and "Dawn, Whitby" in the "Open" category. As is usual, the Competition page of the website has been updated with the top three placements in each category, and full results. Many thanks to Mike Bennett for judging the competition, and Dave Mann for providing the refreshments.
This morning I took my used OM Systems OM-1 camera, and the used Olympus M.Zuiko Digital 75-300mm, f/4.8 -f/6.7 lens, recently purchased for £249, with me for a photographic walk around the nature reserve at Gibraltar Point. The weather was excellent, and I'm pleased with the resulting images of the various birds to be seen. I believe the bird reflected drinking from the pool is a Common Chaffinch, and the other bird perched on a log appears to be a Dunnock.
