It's Been A Year Now ...
Derek Smith • 4 January 2023
It has been just over a year now when I sold all my Olympus cameras, and lenses, and bought into the Fuji camera system with the purchase of a second-hand Fuji X-T3, and a second-hand lens the XF 35mm f/2 Fujinon, both delivered on Christmas Eve 2021. Adapting from the Olympus system has taken a while, getting used to the controls, and the colours has been a bit of a learning curve, but I am very pleased to have made the switch of camera systems.
Both of my Fuji cameras are X Mount APS-C mirrorless cameras, and the lenses are interchangeable between them. I like to think of my lenses as “tools” to achieve a particular result, each of my lenses has a focal length, or characteristic to capture a scene.
Fuji X-T3 – This is my principal camera, always feeling great in my hand, it is my workhorse, I have got used to the 26 MP APS-C X Trans sensor now, although it was quite a learning curve in the beginning. The analogue dials on the camera make for a great user experience, before turning the camera on I can set the ISO, shutter speed, and aperture. The Manual, Single, or Continuous focus can also be selected via the front switch. As an example, during a recent photo shoot in a studio, equipped with studio flash soft boxes, I was able to set the ISO 160, aperture f/8, and 1/125 shutter before even switching the camera on. It was then a matter of adjusting the power on the flash units to obtain the correct exposure. The camera handles well, is water resistant, and dustproof. The features that I particularly wanted, that the Olympus didn’t have, was the focus point joystick, and the UHS II dual SD cards. Not especially worried about SD card failure, but it helps my image editing workflow to have the cards set to record .jpeg on one, and RAW on the other. The “D” pad on the rear of the camera, and the various buttons are all configurable.
Fujinon XF 16-80mm f/4 lens – This stabilised lens is nearly always mounted on my Fuji X-T3, it’s an extremely good camera / lens combination. With the lens having a versatile full frame equivalent of 24-120mm, and a constant f/4 aperture throughout the zoom range, the lens performs well, focuses close to a subject, and produces high quality images in all weathers.
Fujinon XF 70-300mm f/4 – 5.6 lens – My telephoto zoom, stabilised, with an impressive performance, producing near macro close focus images. The lens compliments the 16-80mm zoom, making an ideal “twin lens” kit with the Fuji X-T3, coping with most scenarios including landscapes, and wildlife, the lens is also weather resistant and dust proof.
Fuji X-T20 – My “backup” camera, with a 24MP APS-C sensor, so much of an improvement ergonomically over the Sony A6300 I previously owned. Using this in combination with the Fuji X-T3 / XF 16-80mm zoom lens, and a prime lens mounted on the Fuji X-T20 to avoid lens changes. On recent outings this arrangement has served me well, using a wide-angle lens mounted on the X-T20, and the zoom lens on the X-T3. The Fuji X-T20 is also a great travel camera, being physically smaller, and lighter than the Fuji X-T3, with a useful “pop-up” flash. Because the Fuji X-T20 has only a single SD card slot, I usually take images in .jpeg format, with auto ISO selected as it lacks a dedicated ISO dial. All the buttons, and dials are configurable, so I have the AF-L button set to turn on the WiFi for image transfer, and the AEL button set to control the ISO, the “D” pad is configured the same as on the X-T3 camera for ease of switching between the cameras.
Fujinon XF 18-55mm f/2.8-4 lens – It may seem strange to have two 24 – 70mm full frame equivalent zoom lenses, but this is smaller, and lighter than the XF 16-80. This is the Fuji “kit” lens, but has far better resolution, and brighter aperture than most comparable “kit” lenses supplied by other camera manufacturers. The lens is stabilised and makes an excellent pairing with the Fuji X-T20.
Fujinon XF 50mm f/2 – In my opinion nothing beats a good prime lens, I enjoy my portraiture, and this lens is one of the best I’ve ever used. The lens is an unusual focal length, at about 75mm full frame equivalent, but I find this to be an ideal focal length especially for indoor, or studio shoots, I normally use this lens wide open at f/2 for natural light photoshoots. The lens is tiny, lightweight, and weatherproof.
Fujinon XF 35mm f/2 – Possibly my least used lens, nothing wrong with the lens, it’s a gem of a lens, tiny, lightweight, and weatherproof. Most of the photography experts recommend a “nifty fifty” 50mm focal length, and this 35mm is a full frame 50mm equivalent, and was the first Fuji lens I bought. I just don’t find that the 50mm focal length suits my photography, I had a 25mm (50mm equivalent) Olympus lens, but preferred either the Olympus pancake 17mm f/1.8 (34mm equivalent), or the Olympus 45mm f/1.8 lens (90mm equivalent).
TT Artisans 27mm AF f/2.8 – My newest purchase, an "autofocus" third-party lens, I needed a small “pancake” lens to make the Fuji X-T20 a truly “pocketable” camera. I have been delighted with the size, and performance of this lens, it’s not the sharpest lens I own, but at just £160 brand new I have no complaints. The focal length is just right at a 40mm full frame equivalent, and I’ve been able to use this for street photography. For travel as part of a lightweight system, I will have the Fuji X-T20, the XF 18-55mm zoom, and this the TT Artisans 27mm lens. I used the Fuji X-T20, and the 27mm lens, shot wide open at f/2.8, at the Buffet & Quiz night, obtaining some interesting “impromptu” shots of members, the images were very pleasing, taken in only the room lighting, the auto ISO of 3200 still produced a quality image, and that for me is a real testament of the Fuji camera system.
Samyang 12mm AF f/2 – I deliberated between buying the Fuji 10-24mm zoom wide-angle lens, or a wide-angle prime lens. I had a manual version of this lens with my Sony APS-C camera and was impressed with the image quality, just never used it much. I’m well pleased with this lens, at an 18mm full frame equivalent focal length, I have extensively used this lens for landscape photography, and it has been a real boon for the church photography project.
So that is the summation of my Fuji camera system, I’m very pleased with the image quality, and usability of the cameras, and lenses. Routinely I would select a camera, and lens combination to suit the task. The Fuji X-T3 camera, 16-80mm, and 70-300mm lenses for wildlife. For landscapes the Fuji X-T3, the 16-80mm zoom, the Fuji X-T20 with the Samyang 12mm. Portraiture, must be the Fuji X-T3, the 50mm prime, the 16-80mm zoom, and the Fuji X-T20 with the 35mm prime lens, giving options to suit indoor room sizes, or outdoor locations.
The big advantage of any interchangeable lens camera of course, is being able to tailor the lenses needed to suit the intended genre of photography.
Louth Photographic Society

Good Morning All Last week at the club Derek Smith kindly organised a studio night for us all, it was a very successful evening with Derek providing all the lighting, backdrops, and booking the model. Thank you, Derek, for all your hard work organising the evening. This week, Wednesday 30th April, we are holding a local PDI competition, with the categories of "Local Events" and "Open", you have until midnight tonight to get your entries to Harry. The local is always judged by members and this week you have yours truly judging. The following week it is that time of year already when we hold our AGM and presentation night. If any members have trophies to hand in, this week please. The week after the AGM it is the first monthly PDI competition of our new competition year, Seasons and Open, you can begin sorting out your entries for that one as well now and send them to Harry after this Monday to avoid confusion. Regards Graham

Our “Studio Night” was held last night, this is an annual event, with a model being on hand for members to practice portrait, and fashion photography. This year, I wanted to try something a little different, with two sets positioning a model at one end of the room for the fashion shoot, and another set for portraits at the opposite end of the room. I tried booking a male model, and a female model for the shoot with a casting call on my usual modelling site, initially gaining interest from one male model, but unfortunately, he had to drop out. Re-advertising the shoot, yielded a female model from Rugby, and a male model from London. Where were all the Lincolnshire models? I pulled up a list of Lincolnshire models, and directly messaged several, without any response, until just 3 days before the event a female model under the name of Dahlia_Void (Megan) from Grimsby, responded and the “Studio Night” was on. Our very own talented Paul Rudd agreed to model for us, and both models did a superb job. I believe that the “Studio Night” was a success, with members seemingly able to take some excellent images of both models. Importantly, there didn’t seem to be a lot of waiting around for members to take their shots, and the models appeared relaxed. Megan was a little star, being very patient while we pointed cameras at her.

As a photographer, do you have a “style”? That’s a question that I’ve struggled with over many years. However, now that I think over what it is that makes me a photographer, I realise that being out with my camera brings me a lot of satisfaction, and none more so than working with models. My “style” if you can call it that, is encapsulated in what I call my “walkie / talkie” location shoot, which I’ve embraced for the last six years. I arrange to meet up with a model, male or female in a location, it may be a town, city, nature reserve, or a park. We walk around the location, chatting away until we find a suitable spot for a photo, I take a couple of photos then move on to the next location. The idea of this type of shoot is not to create the “picture perfect” portrait, but rather to capture a moment, some part of the model’s character. Travelling light, one camera, one lens, no reflectors, no lighting, just natural light, and a natural background. This “style” is perhaps more akin to street photography, but with a dedicated model. Here’s a sample of some of my favourite images from my “style” of photography.

Good Morning All We have just come back from a week in Northumberland, staying at Newbiggin by the sea. I took plenty of coastal photographs including many of the area's wildlife. Last week while I was away it was the monthly print competition. There is a blog on the website as well as all the results on the competition page. I really just need to congratulate Dave Turner who won both the subject and Open competition. I am not sure if Wednesday night's studio evening is going ahead yet but will let you know. Entries for the local competition, Local Events and Open need to be sent to Harry by midnight next Sunday. We judge this competition in house; I am happy to judge one subject if anyone else would like to judge the other subject? Regards Graham

We held a print competition at our meeting last night with the categories of "Curves" and "Open". Our judge for the evening was the very competent, and accomplished Diane Seddon. Diane gave excellent critique of the prints, and one of the main themes that Diane highlighted was the presentation of the prints, siting print sizes, mount sizes, mount colours, and more thoughtful cropping of images selected for printing. Definitely food for thought, and addressing those issues will improve members points scoring in future competitions. All the prints submitted into this competition were of a very high standard, however, it was Dave Turner who swept the board with 1st, and 2nd placing in the "Open" category, and 1st, 2nd, and 3rd placing in the "Curves" category, it was a well deserved placing with some stunning prints. The Competition page of our website has been updated with the full results. Thanks to Diane Seddon for judging the competition, and Dave Mann for the refreshments.

Dave Turner, and I attended the LPA Fosters Challenge at Nettleham. The judge for the competition was Sue Wilson from Clay Cross. Axholme took first place with 19 points, Grimsby 2nd, and Cleethorpes 3rd. Louth was awarded 13 points, consisting of: Damselflies Mating – Graham Harrison 4pt Saltwick Bay – Tony Gaskins 4pt The Thinker – Keith Rossington 3pt Muted Swan – Harry Kerman 1pt Pier Number 9 – Dave Turner 1pt It was an interesting competition with some amazing images, a big thank you to Dave Turner for selecting the prints and submitting our entry into the competition.

Good Morning All Last week at the club member Chris Birchmore took us back in time with old photographs and a very interesting talk on one of Louth's old shops Platts stores. Platts stayed traditional for many years but as like most of the old shops eventually disappeared along with it's upside down sign. There is a blog on our website as well to look at. This week, Wednesday 16th April, we will hold our Print competition with the categories of "Curves" and "Open" to be judged by Diane Seddon of Cleethorpes. Harry is also now taking entries for the local PDI competition, with the categories of "Local Events" and "Open". Regards Graham

Our member Chris Birchmore gave an illustrated talk last night titled "The Shopkeeper and his Assistant". Chris related details of his family origins, and family history in Louth, in particular his connection with Platts Provision Store in Eastgate. It was a very interesting talk which evoked many memories with those members who had themselves been raised in Louth. Many thanks Chris, the preparation, and talk was excellent.

Good Morning All With all this warm weather some insects are out and about to photograph, I took this photograph in our garden with a Sigma 105mm lens to get close in on the bee. It is another month now, so you need to think about your "Prime Time" project, if you are taking part. Last week at the club Brian McCarthy FRPS showed us his personal journey in photography, Brian takes most of his photographs in his shed building models with lighting and creating photographs that most of us would never think of. This week, Wednesday 9th April, our member Chris Birchmore who will be presenting a historical talk entitled "The Shopkeeper and His Assistant" specifically talking about a relatives memories of working for Mr. Platt the Shopkeeper. For those who have prints for the next competition, with the categories of "Curves and Open", you need to send Dave Turner a list of your entries and bring the prints in this week. Regards Graham

Good morning, All Last week we held our spring committee meeting, we discussed many topics including the new program which will be available to you all soon and did some preparation for the AGM. This week, Wednesday 2nd April, Brian McCarthy FRPS will be coming along to show us some more of his work. Brian is an ex-member of our club but has more recently been a member of Grimsby Photographic Society. You can also now start sending your print titles for the Curves and Open competition to Dave Turner. Regards Graham