Editing Images
Derek Smith • 22 May 2021
Following on from my previous blog posts, today I would like to discuss editing the images that you have carefully, and thoughtfully taken.
Naturally an image editing software will be needed, on a smartphone or tablet several good editing suites are available some free, and some paid for, I find Snapseed useful on a smartphone. A basic free image editor for Windows is FastStone, which I enjoy using because of the keyboard shortcuts. Darktable, RawTherapee, and The Gimp, are free “open source” image editors which can yield good results on Windows, Mac, and Linux platforms. I have found the Darktable software very useful, and there are some excellent tutorials for this editing suite. Paid software such as Affinity, Luminar AI, Adobe Elements, and Capture One, have a single payment model, whereas Adobe has a monthly subscription model. I would suggest finding a trial version of the paid software and finding your way around the program with the aid of various YouTube, or Vimeo tutorial videos.
Now that you have the software on your preferred device, it is important to realise that there is not a “right way” to edit an image, however I would seriously advocate that you begin editing an image with the crop tool. Look carefully at the image, would the aspect ratio benefit from amending, a portrait may be improved by choosing a square 1:1 ratio, a landscape image may require a change to a 16:9 aspect, or even a freehand letterbox style. Apply any lens corrections needed, and adjust any verticals, or wonky horizon, clone or crop out any distractions.
Once the image has been tidied, now is the time to move onto the exposure, levels, saturation, and clarity adjustments, again no “right way” to do this, try not to overcook the image, again take time, possibly walk away from editing the image and return to it with fresh eyes.
More advanced techniques involve adding a graduated filter to tone down a bright area of an image, use the dodge, and burn tool to locally lighten, or darken parts of the image. A word on sharpening an image, rather than sharpen the whole image, termed a global adjustment, use a mask to sharpen just a part of the image, a photo of a bird in a tree may benefit from sharpening, but the tree is best left unsharpened.
Having a RAW image to work with leaves plenty of latitude to recover details in the shadows using the highlights, and shadows adjustments, whereas a jpg image may not offer the same degree of latitude. A RAW image can look very “flat” when opened in some photo editors, Affinity, and Darktable apply an initial tone curve to the image by default to alleviate this, but if you prefer the “flat” look, this can be turned off in software preferences.
Some photographers like to create a duplicate of the image in the photo editing software, so that a copy of the original image is retained, I don’t do this for 2 reasons, the first is that the editing software I use is non-destructive, so I can revert to the original from the “History” tab, and the second reason is to do with my work flow I always copy the images from the camera into a folder on an external hard drive, opening the image from that folder, and export the finished edit into another folder, which is a temporary folder designated as “Upload”, and I never save my edits, Luminar does by default, automatically, as it has a inbuilt Luminar catalogue file. My edited images are always manually uploaded, from the “Upload” folder to cloud based storage away from the computer, using Smugmug, Amazon Photos, Google Photos, and Apple Photos.
Personally, I use the Affinity editor, as well as the Luminar AI software. I have found the “Tone Mapping” persona in Affinity very useful, as some of you will have seen in my tutorial of editing a train at the platform. In Luminar AI I will sometimes use the supplied templates to edit an image with just a couple of clicks, saving lots of work. Affinity, and Luminar AI also have the option of creating personal adjustment pre-sets, or templates to save and use on a set of images. Recently I returned from a model photo shoot with over 200 images, all shot in the same lighting conditions, with the same camera lens combination. After selecting the first image and cropping / tidying, I applied one of the portrait templates which very nearly matched what I wanted the image to look like, I applied a couple of fine adjustments to the template, then saved the template as my personal template, and was able to apply this to all 47 images that I selected for keeping and sharing with the model, saving a lot of time, and giving a consistent “look” to all of the edited images.
I have included before, and after images of two barges entering a lock on the River Lee Navigation, shooting the scene as I did on the lock gates was unavoidable, so, the first task in Luminar AI was to correct the verticals, next cloning out the unwanted details in the water, editing this image manually was very difficult trying to keep detail in the sky, and in the water. After a frustrating time, I applied an AI template, and the image just “popped” with improved detail in the water, while retaining the sky detail, I was massively impressed.
Louth Photographic Society

Last night’s Louth Photographic Societies outing to Kirkby gravel pits nature reserve was cancelled as some members preferred to watch some sporting gentleman by the name of Harry Kane. (Congratulations to the England team) The reserve is small, and simply laid out, a public footpath leads along a tree lined avenue to the river Bain at the back of the reserve. Historic sand and gravel extraction has left a large lake in the centre of the reserve, several ducks and waterfowl inhabit the lake and there is a bird hide on the shoreline. Returning to the road, there is a path running parallel to the road bounded by a hedge, insects of various types can be found in this area, damselflies, butterflies, and hover-flies are often prolific. Our outing to Kirkby Gravel pits is now scheduled for Wednesday 22nd July. Parking is on the verge by the roadside. Kirkby Gravel pits are fairly close to where I live, and it’s reserve that I often visit, these are some photos from a visit in July last year.

Good morning, All, Last week at the club we had our monthly print competition, Trees and Open. There was a very good entry with a high standard of photography on show. Tony Gaskins was first in the Open and I managed a first in the trees, all the results are on our website and there is also a blog on the evening. This week, Wednesday 1st July, we are having an outing to Kirkby Gravel Pits, if we meet at 6.30 at the reserve, though you can arrive earlier as there are usually dragonflies etc around the entrance. If we walk straight ahead first, then anyone who arrives late can find us. I have struggled to find a map, but you can see the location on the Lincolnshire wildlife Trust website. Kirkby Grave Pits is also a good reserve for birds. Tattershall Road 1 mile south of Kirkby-on-Bain Woodhall Spa Nearest postcode LN10 6YN. Please note - postcodes are for the nearest registered address as we are unable to get postcodes for nature reserves.

A print competition was held last night with the categories of "Trees" as the subject, and "Open". Our judge for the evening was Gail Wrigg from Barton who did an expert job. The first category to be judged was the "Open" with the high standard of prints making the choice of top placement difficult, and Gail held back 9 prints for further evaluation. There were some chuckles from members around one of Richard Hildred's prints of wooden electricity poles titled "In my previous life I used to be one of them" an "in" joke from Richard, which totally baffled Gail. After the break Gail judged the "Trees" category, with 7 prints held back this time for awarding of higher marks, the beautiful colours of some trees, especially the autumnal images contrasting with the stunning monochrome infrared prints from Richard Hildred. It was a great evening, with excellent prints on display, and the website Competition page has been updated with the full results.

Good Morning All Last week we visited the nature reserves at Fir Hill quarry and Muckton wood. I have written a blog report on the evening which is on our website. You can always try something a little different like I did using camera movement. This week, Wednesday 24th June, a print competition will be held, with the categories of "Trees" and "Open" and is to be judged by Gail Wrigg. The following week we have an outing to Kirkby Gravel pits. If you want advice on camera settings etc the outings are the perfect opportunity to ask other members while we all have our cameras. Regards Graham

Each year Louth Photographic Society begins a new project, one photo taken each month on a specific subject, that's 12 photos presented on "Project Night" in January. Last year the subject was "Prime Time" one photo each month taken with the same fixed focal length lens. This year the subject is water, the subject sounds easy enough, and I've completed 5 photos already, but I'm struggling a little with a photo for June. I'm currently on holiday in Corfu, an island surrounded by water which should be easy, but I'm yet to find the "definitive" photo for the project. These are my photos so far this month: Best regards Derek

Last night a few of our members had an outing to Old Bolingbroke village. Initially visiting the Lincolnshire Wildlife Reserve of Sow Dale, off Spilsby Hill at the village entrance, I was a little hesitant at first at entering the reserve because of the grazing cattle. When the cattle herd moved up the hill we climbed over the stile and entered the reserve, as we began to take some photos around the reserve though, the herd returned, but seemed quite docile. Later in the evening we moved on to Bolingbroke castle, and took several photos of the castle, fauna, and flora. It was a lovely evening, good to get out with cameras, and socialise with others.

Good Morning All Last week I went to the Lincoln cathedral to see Queen by candlelight, a great night of music and some different lighting in the cathedral. Last week at the club we held our 1 st round of the LPA Battles against Grimsby and Scunthorpe. Members from the two other clubs attended making it a very full room with some excellent photography on show. Scunthorpe won on 255 points, Louth 2 nd with 250 points and Grimsby 3 rd with 245 points. This week there is a 2 nd round LPA Battle at Grantham on Tuesday evening, if any member wants to attend, please contact me for more details. We did decide to have an outing on Wednesday 10th June, I had thought of Donna Nook, but Derek has come up with another idea, Sow Dale and if time permits Bolingbroke Castle both out Horncastle way. Derek is going to see if it's worth visiting Sow Dale and will let us know. Don't forget to send your print titles to Dave Turner. Regards Graham

It was the LPA Battles last night, with Louth hosting Scunthorpe, and Grimsby. Diane Seddon was the judge for the evening, and gave excellent critique of all the the prints presented to her from the three clubs. Our club room was packed with our members, and representatives from Scunthorpe, and Grimsby clubs. At the break the points scores appeared fairly evenly matched. However, it was the highest scoring prints that swung the competition in favour of Scunthorpe, their still life prints of "Sunflowers", and "Weights and Measures" scored 20 points each, taking their cumulative score to a winning 255 points. None of Louth's prints achieved 20 points, but ended with a respectable 250 points. Grimsby produced some strong prints, "The Road to Talmont", and "What's Your Name?" received 20 points each, their overall score was 245 points. As Diane Seddon said the submitted print entries were of a very good standard, resulting in a closely matched contest. Congratulations to Scunthorpe for securing the lead in this LPA Battle round contest.




