Blog Post

Editing Images

Derek Smith • 22 May 2021
Following on from my previous blog posts, today I would like to discuss editing the images that you have carefully, and thoughtfully taken.

Naturally an image editing software will be needed, on a smartphone or tablet several good editing suites are available some free, and some paid for, I find Snapseed useful on a smartphone. A basic free image editor for Windows is FastStone, which I enjoy using because of the keyboard shortcuts. Darktable, RawTherapee, and The Gimp, are free “open source” image editors which can yield good results on Windows, Mac, and Linux platforms. I have found the Darktable software very useful, and there are some excellent tutorials for this editing suite. Paid software such as Affinity, Luminar AI, Adobe Elements, and Capture One, have a single payment model, whereas Adobe has a monthly subscription model. I would suggest finding a trial version of the paid software and finding your way around the program with the aid of various YouTube, or Vimeo tutorial videos.

Now that you have the software on your preferred device, it is important to realise that there is not a “right way” to edit an image, however I would seriously advocate that you begin editing an image with the crop tool. Look carefully at the image, would the aspect ratio benefit from amending, a portrait may be improved by choosing a square 1:1 ratio, a landscape image may require a change to a 16:9 aspect, or even a freehand letterbox style. Apply any lens corrections needed, and adjust any verticals, or wonky horizon, clone or crop out any distractions.

Once the image has been tidied, now is the time to move onto the exposure, levels, saturation, and clarity adjustments, again no “right way” to do this, try not to overcook the image, again take time, possibly walk away from editing the image and return to it with fresh eyes.

More advanced techniques involve adding a graduated filter to tone down a bright area of an image, use the dodge, and burn tool to locally lighten, or darken parts of the image. A word on sharpening an image, rather than sharpen the whole image, termed a global adjustment, use a mask to sharpen just a part of the image, a photo of a bird in a tree may benefit from sharpening, but the tree is best left unsharpened.

Having a RAW image to work with leaves plenty of latitude to recover details in the shadows using the highlights, and shadows adjustments, whereas a jpg image may not offer the same degree of latitude. A RAW image can look very “flat” when opened in some photo editors, Affinity, and Darktable apply an initial tone curve to the image by default to alleviate this, but if you prefer the “flat” look, this can be turned off in software preferences.

Some photographers like to create a duplicate of the image in the photo editing software, so that a copy of the original image is retained, I don’t do this for 2 reasons, the first is that the editing software I use is non-destructive, so I can revert to the original from the “History” tab, and the second reason is to do with my work flow I always copy the images from the camera into a folder on an external hard drive, opening the image from that folder, and export the finished edit into another folder, which is a temporary folder designated as “Upload”, and I never save my edits, Luminar does by default, automatically, as it has a inbuilt Luminar catalogue file. My edited images are always manually uploaded, from the “Upload” folder to cloud based storage away from the computer, using Smugmug, Amazon Photos, Google Photos, and Apple Photos. 


Personally, I use the Affinity editor, as well as the Luminar AI software. I have found the “Tone Mapping” persona in Affinity very useful, as some of you will have seen in my tutorial of editing a train at the platform. In Luminar AI I will sometimes use the supplied templates to edit an image with just a couple of clicks, saving lots of work. Affinity, and Luminar AI also have the option of creating personal adjustment pre-sets, or templates to save and use on a set of images. Recently I returned from a model photo shoot with over 200 images, all shot in the same lighting conditions, with the same camera lens combination. After selecting the first image and cropping / tidying, I applied one of the portrait templates which very nearly matched what I wanted the image to look like, I applied a couple of fine adjustments to the template, then saved the template as my personal template, and was able to apply this to all 47 images that I selected for keeping and sharing with the model, saving a lot of time, and giving a consistent “look” to all of the edited images.

I have included before, and after images of two barges entering a lock on the River Lee Navigation, shooting the scene as I did on the lock gates was unavoidable, so, the first task in Luminar AI was to correct the verticals, next cloning out the unwanted details in the water, editing this image manually was very difficult trying to keep detail in the sky, and in the water. After a frustrating time, I applied an AI template, and the image just “popped” with improved detail in the water, while retaining the sky detail, I was massively impressed.

Louth Photographic Society

by Graham Harrison 26 January 2025
Good Morning, All Last week at the club we had our 2024 project night, "Numbers", only four members had completed the project, hopefully it inspired you to do this year's project "Prime Time" otherwise you may have to put up with one of my old presentations again. There is a report on our website covering the evening. This week, Wednesday 29th January, our member Peter Cory will be giving a presentation on Cuba and Prague. Don't forget to send your local PDI's to Harry, the subject is "Still Life" which you can take in your own house if you wanted, so don't have to venture far, the trick I have found is coming up with ideas. There is also an Open competition. Deadline is midnight, Sunday 2nd February. Harry would also like six PDI's from us all for the N&EMPF club PDI competition, the main rule is they should not have already been in the NEMPF PDI competition and be the best you have. The N&EMPF projector has a 4:3 aspect ratio, so images should be resized to a maximum 1600px width, and 1200px height. Regards Graham
by Derek Smith 23 January 2025
At our meeting last night members presented their 2024 “Numbers” Projects, this was one photo each month, where the photo included a number. The Society chooses a different project each year, for this year, 2025, the project will be “Prime Time”, one photo each month using the same prime (fixed focal length) lens. The evening was well attended, the members images displayed were of high quality, and showed individuality, and creativity in the approach to the project. Graham rounded off the evening with a viewing of his images taken over last summer, and at Beamish. All the images can be viewed on the Projects Page, listed under the Competition Page on the navigation bar.
by Graham Harrison 19 January 2025
Good Morning All There has been a lot of cold foggy weather lately, not to be put off I have been out walking around Binbrook taking a few winter Photos. Last week at the club we were treated to some excellent photography in our monthly PDI competition, in particular the Open competition was of such a high standard our judge Steve Chapman held back nineteen of the photographs out of twenty-four. All the results are on our website. This week, Wednesday 22nd January, those of us who took part in last years project, "Numbers", it is your chance to show us how you interpreted the subject and show your final twelve photographs, which should be one from each month. It is also a good time to start this years project, "Prime Time", one photograph a month taken with the same prime lens. If you don't have a prime lens, use a zoom set to the same focal length for each photograph. Richard Hildred also asked us to send him a few monochrome photographs that he can use in his demonstration in a few weeks' time. You can send them to myself or Derek if you don't have Richard's email. Regards Graham
by Derek Smith 16 January 2025
This was the Society's first meeting after the Christmas break, and it had a good attendance for the first competition of the New Year. The PDI competition, was judged by Steve Chapman, it was his first visit as a judge to the club. The competition had two categories: “Shadows” and “Open”. Steve judged the “Shadows” category first, where members showed great creativity. Entries included tree shadows on buildings, monochrome shadows of people, benches casting long shadows at Whitby, and Dave Turner's winning image of a man's shadow on a wet pavement. After the break, Steve judged the “Open” category. The high-quality images from various genres made judging challenging. He shortlisted 19 entries and then awarded points to choose the top three placements. Tony Gaskins entry of a dawn seascape at Mablethorpe was placed first in this category. The evening competition featured numerous high standard entries, and Steve Chapman, as judge, provided insight, knowledge, and a well-considered critique. The full results, and top three images in each category can be viewed on our website Competition page. Thanks to our judge Steve Chapman, Dave Mann for refreshments, and Paul Rudd on finances.
by Graham Harrison 12 January 2025
Good Morning All I have been out and about working and have seen quite a lot of flooding out at Brandy Wharf and frost at Linwood warren. We start back at the club this Wednesday 15th, after our Christmas break. We start with a PDI competition, with the categories of "shadows" and "open" to be judged by Steve Chapman. The following week is project night when you can show what you did for last year's project which was numbers. Regards Graham
by Derek Smith 8 January 2025
How has your photographic life been this year? I’ve been out taking photographs, but mainly for my own pleasure, and enjoyment. The weather at the start of the year seems to have been wetter, and cooler, warming up later, and this weather pattern has influenced the photos for wildlife. Our club outings to wildlife reserves produced little in the way of insects. My photographic genre of choice is for model photography, and I’ve chosen to work more in studios this year producing a good, but not exceptional body of work. Equipment wise, I’ve stayed with my Fuji camera system, and the various lenses. My only change was swapping the Fuji XF 50mm f/2 lens for the TT Artisan 56mm f/1.8 lens, and the main reason for this was the Fuji lens has a lightly damped, although clicked, aperture ring, and I kept jogging the aperture ring during shooting. I’m certainly enjoying the TT Artisans lens; the slightly longer focal length produces a nicely blurred background, and I intend to use it for more subjects than just as a pure portrait lens. Highlights of the year, well definitely the holiday to Menorca, the nature reserve on the island was literally “alive” with insects and wildlife in stark contrast to the UK. The Empsay and Bolton heritage steam railway, near Skipton, was another delight. Staying for 2 nights at the Cow and Calf Inn on Ilkley Moor, enabled me to photograph the sunset, and sunrise over the moor. In 2025 I want to take more landscape, and creative images, reducing my bias toward portraiture photography.
by Graham Harrison 5 January 2025
Good Morning All I hope you all had a good new year. Thinking I might take a nice winter scene photo this morning, but just a bit of wet snow and rain. We start back at the club a week on Wednesday (15th) with a PDI competition, Shadows and Open, I f you can send your entries to Harry by midnight next Wednesday please. Regards Graham
by Derek Smith 2 January 2025
Hopefully everyone has had a good Christmas, and perhaps enjoyed partying into the New Year. We'll soon be back to normal at the club on Wednesday 15th January, when we hold our first competition of the year, a PDI, with the categories of "Shadows", and "Open". Travelling into Lincoln today, taking advantage of the sunshine, I had my Fuji X-S20 camera with me and the 56mm f/1.8 TT Artisans prime lens, (85mm full frame equivalent), walking around with this small lightweight combination, enjoying taking various photos. Indoors now, and looking at the images, my decision is made, I shall be using the 56mm lens for the "Prime Time" annual project, a fixed focal length prime lens challenges the photographers creative compositional skills. The TT Artisans lens was inexpensive at £160, and produces great image quality, as can be seen from some of these images.
by Graham Harrison 29 December 2024
Good Morning All I hope you have all had a good Christmas. I tried to find one image to sum the year up and came up with this one taken at Whitby, overcast and rain. Not much to report, just to remind you to prepare your PDI's for the next competition on January 15th, with the categories of "Shadows" and "Open", and send them to Harry when as soon as you're ready. The new project will be starting soon as well, one photograph a month using the same prime lens for all photographs. If you only have zoom lenses just set it to the same focal length each time. Regards Graham
by Derek Smith 28 December 2024
The 2024 project was “Numbers”, one photo that included a number for each month of the year, I have just finished my last photo for this month, it has been an interesting project. Our 2025 project is “Prime Time”, one photo each month taken with the same prime lens, (a lens with a fixed focal length). Yesterday I was out visiting the Alice in Wonderland experience at Castle Howard, Yorkshire, I took one camera, the Fuji X-S20, with a Sigma 30mm f/1.4 prime lens to capture some images. Having a fixed focal length certainly makes a photographer concentrate on composition but consider that many iconic photographs from the 20th century were taken in this fashion. My 30mm lens on an APS-C camera is the equivalent of 45mm on a full frame camera, the lens is considered a “normal” focal length. For this project I would probably use my wide-angle Samyang 12mm f/2, (18mm full frame) which I normally use for architecture, or landscape photography, I could also use the TT Artisans 56mm f/1.8 (85mm full frame) portrait lens, either lens would challenge my photographic skills, and I will choose in the next week or so. Photographs taken at Castle Howard with a Sigma 30mm prime lens.
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