Blog Post

Choosing A Mirrorless Camera

Derek Smith • 18 February 2022
There are so many excellent mirrorless interchangeable lens cameras on the market at the moment, choosing the right camera for your needs can be quite daunting. These are my thoughts, and personal opinion on choosing a mirrorless camera. 

The first choice would possibly be on sensor size; there are four to consider, medium format, full frame, APS-C (Nikon DX), and micro four thirds. Medium format sensors as used in Hasselblad, and Fuji GFX cameras are probably too “high end”, and specialised for the average photographer. Most photographers will opt for a full frame camera, or an APS-C camera. The advantage of a full frame sensor is improved dynamic range, and low light capability, the disadvantages of a full frame camera, are the larger size, weight of the lenses, and higher costs of buying those lenses. Personally for my needs an APS-C camera hits the “sweet spot” on weight, physical size and price of the camera, and lenses.  Micro four thirds, is the smallest sensor used in the Olympus / Panasonic partnership cameras, I have used micro four thirds cameras since I bought my first Olympus E-PL1 in 2010, and never found the image quality lacking in any respect. Some of my best photography of late has been taken with the Olympus OM-D E-M5 iii which has been a sterling performer in all weathers, and never let me down, and the amazing Olympus E-PL7 using the 17mm f/1.8 pancake prime (34mm full frame). 

Possibly the next choice would be brand loyalty, if you’ve used brand “X” for a number of years, then you might consider buying a mirrorless camera from that brand if upgrading. I believe however that rather than focus on a particular brand of camera, your choice might be better served by the camera features needed, and the choice of lenses, and the price of those lenses. 

Sony produce some excellent cameras, the auto focus, and subject tracking on those cameras is first rate, however for me the APS-C A6000 range of cameras are ergonomically flawed, fine if shooting in semi automatic mode, set the ISO, and white balance to auto, the mode dial to Aperture Priority, and use the single control wheel to adjust the aperture. Choosing to shoot in Manual Mode is a different proposition entirely. Set the ISO from the menu, aperture from the control wheel on the top of the camera, and the shutter speed is adjusted by the tiny thumb wheel on the back of the camera, and it’s not possible to adjust the settings while holding the camera up to the eye!! I upgraded to the Sony A7 ii, a far better camera in my opinion, but the lens mount is too close to the handgrip, I had to squeeze my fingers in between the lens barrel on some lenses, and the handgrip, and personally I’ve never been able to see much difference between a full frame camera, and an APS-C image. 

It was the ergonomics that prompted my return to the Olympus fold, even the base camera Olympus OM-D E-M10 iv has twin control dials on top of the camera, and can be bought new, as a kit, from under £800. Olympus, and Panasonic have over 100 lenses to choose from, with the micro four thirds mirrorless cameras having been in existence since Panasonic produced the G1 in 2008, followed by the Olympus E-PL1 in 2009. 

My choice of camera system was based on my change of needs. My workflow had markedly changed, I now predominantly shoot in RAW, and edit the images, but I also liked to shoot in JPEG to share on social media, and a single SD card meant that I had to separate out the RAW images, and the JPEG images when loading onto the computer, which slowed my workflow down. I therefore needed to have two SD card slots, I also wanted to have a joystick to control the focus point, and the camera must be weatherproof. My immediate upgrade path would have been to the Olympus OM-D E-M1 iii, but I felt like a change. 

Canon make some excellent cameras, I looked at the M mount APS-C cameras, but currently a poor range of lenses, no weatherproofing, and no dual card slots, the Canon RP is a great camera but no dual card slots. 

Nikon next, I like the Z50, but again with only two lenses for the APS-C (Nikon DX), I seriously considered the Nikon Z5, dual SD card slots, weatherproofing, and IBIS, however it was the lens choice, and cost of lenses, that determined my rejection of this choice. 

Sony wasn’t even a consideration, due to the ergonomics, but the lens choice, and image quality are outstanding, apart from the dust spots on the sensor which is a common problem on Sony cameras. 

Panasonic S5, I nearly bought this, my finger hovered over the “buy now” button, especially over the Christmas period when the camera body, and 20-60mm lens were on offer at £1300!!

Eventually it was the Fuji APS-C range of cameras that I was drawn to, with a choice of over 40 native lenses, the weatherproofing, dual UHS ii SD card slots, a joystick and the analogue dials on top of the camera of the X-T3 that won me over. I needed a high quality prime lens for my portraiture, and this has been filled by the excellent 35mm f/2 lens (50mm full frame equivalent). The 16-80mm f/4 constant aperture lens (24-120mm full frame) is ideal for travel, and landscape, and I have the excellent 70-300mm variable aperture lens (105-450mm full frame) for the wildlife. As a wide angle lens I have the Samyang 12mm AF f/2 prime lens (18mm full frame). The camera is reasonably small, and light, (heavier though than the Olympus), and makes a complete set with the camera body, the 16-80mm lens, and the 70-300mm lens all fitted into a small Manfrotto camera bag. 

As to costs, the X-T3 body was £899 new, the 35mm lens, and the 16-80mm lens were bought second hand, and I had to buy the 70-300mm lens new at £729, as it was only introduced late last year, so the price, size, and weight of the lenses suit my needs. 

The learning curve moving to the Fuji system has been fairly steep, some of the settings are inter dependent, as an example if I want to use the face / eye auto focus, then that overrides the choice of focus point, but once you know these things then it becomes easy, I’ll have the face / eye auto focus on for portrait sessions, and switch it off when shooting in other genres, and I have a function button assigned for this. 

Louth Photographic Society

by Derek Smith 20 February 2025
The Society held the prestigious Print of the Year (POTY) competition last night. Our judge for the evening was the affable, and highly experienced Brian Gromett. The feedback on the prints presented on the evening was exceptional, I am sure that many members, me included, had not considered some of the compositional elements in our photographic prints that Brian pointed out, and many of us gained a lot of insight last night. The “Print of The Year” award was given to Keith Rossington for his portrayal of “Nige” in the Colour section, and to Dave Turner with his stunning “Reading Isaiah 31” in the Monochrome section, congratulations to them both. The Competition page of the website has been updated, however I would be grateful if members could provide me with copies of images with a top three placement, as many of those images are missing.
by Derek Smith 18 February 2025
GAS, (Gear Acquisition Syndrome), is something that afflicts us all at times, I have the Fuji X-T3, and the Fuji X-S20, and 95% of the time I’m very pleased with the images that I create with these cameras and my lenses. As good as the Fuji XF 70-300mm lens is though, sometimes I do need a little more reach, and the Fuji XF 100 – 400mm lens is too big, too heavy, and too expensive. However, whenever a new camera is announced, there’s often a temptation to consider other camera systems. Now, OM Systems have recently announced the micro four thirds sensor camera the OM-3, and I keep looking at that camera, but the pricing of almost £2000 is beyond my budget, and it may not suit my photography style. Several years ago, I sold all my Sony gear, and bought into the Olympus micro four thirds system, creating some wonderful images, but the focusing on the E-M5 wasn’t great for birds in flight, otherwise my photos from Olympus were generally good. When considering a new camera, or choosing another brand of camera, its important to evaluate exactly what you hope to achieve by changing camera brand. Whilst I enjoy my portrait, and glamour photography, I want to take more landscape, nature, and macro images. For my needs any new camera must have dual UHS II card slots, and a focus joystick, the best fit came down to two cameras the Canon EOS R7, and the OM Systems OM 1. The R7 is outside my budget, and I wasn’t sure about the ergonomics, and so I’ve decided on a used micro four thirds sensor OM System OM 1. The purchase will be financed by selling my Fuji X-T3 and buying the OM System OM 1 camera, a 25mm f/1.8 lens, (full frame equivalent 50mm), and a 75 – 300mm (full frame equivalent 150 – 600mm) zoom lens. I have always had a soft spot for the Olympus / OM System cameras, the latest OM 1, and OM 3 cameras have the new 20-megapixel BSI sensor with 1053 cross type contrast, and phase detect focus points, and new faster processor, resulting in improved autofocus, and several computational photographic modes including Live ND filters, “In camera focus stacking”, and a “Live Composite” mode for low light night photography. This photo of barges was taken with an Olympus E-PL7 camera at f/6.3, 1/500, ISO 200, with the Olympus M.Zuiko 17mm f/1.8 prime lens.
by Graham Harrison 16 February 2025
Last week it was my turn to show you some PDI's some new and some the oldest PDI's I had, I hope you all enjoyed the evening. The oldest ones were from 2011 when I first ventured into digital cameras, I was a bit late converting waiting to see if they would catch on, they certainly did and for most of us now film and especially transparency film is a distant memory, but a happy one. This week, Wednesday 19th February, we hold our Print Of The Year (POTY) competition; and the judge for the evening will be Brian Grommett. I did visit Gibraltar point the other week and photographed my first Marsh Harrier, it was a long way off even for my 600mm lens which gives you 900mm on an APS sensor camera, so not the sharpest photograph but good to see. Very little else to photograph but a good lunch at the cafe there. There is a sand racing meeting at Mablethorpe today (Sunday) at about 11.30, which members may be interested in attending to get some good sport photographs. If only this cloud cover would disappear. Regards Graham
by Derek Smith 13 February 2025
It’s always interesting to view other members photographic work, most of the work displayed from other photographers is only shown in our competitions. Our meeting held last night was “Presidents Night”, a chance to view what photographic subjects, and outings that Graham Harrison has taken over last year, and some from proceeding years. Members were treated to an impressive cornucopia of projected images, Graham showed photos from his trips to Conwy, Wales, the Yorkshire, and Northumberland coasts. These are just some of the images from Grahams extensive collection of images. Thank you, Graham, for a very interesting evening, Dave Mann for refreshments; always much appreciated, and a big welcome to our newest member Steve Chapman.
by Graham Harrison 9 February 2025
Good Morning All Last week at the club we held a PDI competition, with the categories of "Local Still Life" and "Open", member Tony Gaskins judged the Open with a lot of thought and advice shortlisting nine and picking Derek Smith's portrait G'day as the overall winner. I then had the task of judging the still life, there were quite a lot of different ideas for still life, but I shortlisted the ones I thought fitted the subject best and picking Derek Smith's coffee break which in my opinion was an excellent example of still life photography. The results with images of the top three are on our website. Entries for print of the year (POTY) need bringing in this Wednesday with an email of your titles and which subject the photograph is in to Dave Turner please. This coming week, Wednesday 12th February, for President's night; I will be showing PDI's including some from Yorkshire and North Wales. Regards Graham
by Derek Smith 7 February 2025
We held our PDI competition last night, with the categories of “Local Still Life”, and “Open”. Tony Gaskins began the evening with his judging of the “Open” category, which I always feel is the more difficult category to judge. Tony performed the task of judging excellently, assessing each image as presented to him, providing thoughtful, and useful critique on the various submitted entries. Tony “held back” nine images for further assessment to award a higher points score, then finally choosing the top three images, keeping members in suspense, I was surprised when Tony selected my portrait of a male model as first place. “G’day” was a portrait of a Hungarian male model over for an inexpensive short break in Skegness, I provided the Australian bush hat, and scarf as props for this photo. After the break, it was Graham Harrison’s turn to perform the judging role, this time for the “Local Still Life” category. I personally found this a particularly difficult category to shoot, the keys to a successful image in this category, are imagination, creativity, and most important the lighting of the subject. I use LED constant lighting for still life, as do other members, because the lighting can be positioned exactly as required. I had several unsuccessful attempts at producing images for this category, before selecting three images for submission into the competition. Graham skillfully selected eight images as “hold backs” before choosing the final top three, again I was surprised to find my “Coffee Time” image in first place. Overall, some stunning images were entered into the competition, making for a successful evening, the website Competition page has been updated with the full results. A big thank you to Tony, and Graham for judging, and Dave Mann for his hard work providing the refreshments.
by Graham Harrison 2 February 2025
Good Morning All Thank you Peter for your presentation on Cuba and Prague. We did have a bit of an iffy start to the night but thanks to Paul Rudd the night was saved and power restored. There is a full report on our blog. This week, Wednesday 5th February, we are holding a local competition, with the categories of "Local Still Life" and "Open" (no restrictions) all entries need to be in by midnight tonight, I will be judging the still life and Tony Gaskins the open. It will soon be our print of the year, POTY, to newer members who might think February is an unusual time for the competition it's because our camera club year runs from the first Wednesday in May to the last Wednesday in April. You need to send your titles to Dave Turner and bring your prints on February 12th. All the information on entering the print of the year is on our website but feel free to email Dave if you are unsure. Don't forget to think about the March PDI competition including the moon, the one I took at Linwood would just about qualify. There is also the "Prime Time" project, of one photo a month taken with a prime lens to think about now we are into February. Regards Graham
by Derek Smith 30 January 2025
Our very own Peter Cory gave an insightful, and interesting talk on his travels to Cuba, and Prague in the Czech Republic. Peter began his illustrated talk with his visit to Havana, Cuba where he had a week’s holiday in 2000 with family. His photos gave a traveller’s viewpoint of Cuba, with some rundown buildings in the poorer areas, the iconic American cars from the 1950s, and the majesty of the Spanish built cathedral. After the break, Peter continued his talk with his visit to Prague in 2009, and compared to Cuba, the historic city centre looked prosperous and clean. The various photos of Prague made me want to visit the city for a short break sometime in the future. Many thanks to Peter for taking the time to compile the talk, and present to members of the club for a fascinating evening.
by Graham Harrison 26 January 2025
Good Morning, All Last week at the club we had our 2024 project night, "Numbers", only four members had completed the project, hopefully it inspired you to do this year's project "Prime Time" otherwise you may have to put up with one of my old presentations again. There is a report on our website covering the evening. This week, Wednesday 29th January, our member Peter Cory will be giving a presentation on Cuba and Prague. Don't forget to send your local PDI's to Harry, the subject is "Still Life" which you can take in your own house if you wanted, so don't have to venture far, the trick I have found is coming up with ideas. There is also an Open competition. Deadline is midnight, Sunday 2nd February. Harry would also like six PDI's from us all for the N&EMPF club PDI competition, the main rule is they should not have already been in the NEMPF PDI competition and be the best you have. The N&EMPF projector has a 4:3 aspect ratio, so images should be resized to a maximum 1600px width, and 1200px height. Regards Graham
by Derek Smith 23 January 2025
At our meeting last night members presented their 2024 “Numbers” Projects, this was one photo each month, where the photo included a number. The Society chooses a different project each year, for this year, 2025, the project will be “Prime Time”, one photo each month using the same prime (fixed focal length) lens. The evening was well attended, the members images displayed were of high quality, and showed individuality, and creativity in the approach to the project. Graham rounded off the evening with a viewing of his images taken over last summer, and at Beamish. All the images can be viewed on the Projects Page, listed under the Competition Page on the navigation bar.
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