Blog Post

Choosing A Mirrorless Camera

Derek Smith • 18 February 2022
There are so many excellent mirrorless interchangeable lens cameras on the market at the moment, choosing the right camera for your needs can be quite daunting. These are my thoughts, and personal opinion on choosing a mirrorless camera. 

The first choice would possibly be on sensor size; there are four to consider, medium format, full frame, APS-C (Nikon DX), and micro four thirds. Medium format sensors as used in Hasselblad, and Fuji GFX cameras are probably too “high end”, and specialised for the average photographer. Most photographers will opt for a full frame camera, or an APS-C camera. The advantage of a full frame sensor is improved dynamic range, and low light capability, the disadvantages of a full frame camera, are the larger size, weight of the lenses, and higher costs of buying those lenses. Personally for my needs an APS-C camera hits the “sweet spot” on weight, physical size and price of the camera, and lenses.  Micro four thirds, is the smallest sensor used in the Olympus / Panasonic partnership cameras, I have used micro four thirds cameras since I bought my first Olympus E-PL1 in 2010, and never found the image quality lacking in any respect. Some of my best photography of late has been taken with the Olympus OM-D E-M5 iii which has been a sterling performer in all weathers, and never let me down, and the amazing Olympus E-PL7 using the 17mm f/1.8 pancake prime (34mm full frame). 

Possibly the next choice would be brand loyalty, if you’ve used brand “X” for a number of years, then you might consider buying a mirrorless camera from that brand if upgrading. I believe however that rather than focus on a particular brand of camera, your choice might be better served by the camera features needed, and the choice of lenses, and the price of those lenses. 

Sony produce some excellent cameras, the auto focus, and subject tracking on those cameras is first rate, however for me the APS-C A6000 range of cameras are ergonomically flawed, fine if shooting in semi automatic mode, set the ISO, and white balance to auto, the mode dial to Aperture Priority, and use the single control wheel to adjust the aperture. Choosing to shoot in Manual Mode is a different proposition entirely. Set the ISO from the menu, aperture from the control wheel on the top of the camera, and the shutter speed is adjusted by the tiny thumb wheel on the back of the camera, and it’s not possible to adjust the settings while holding the camera up to the eye!! I upgraded to the Sony A7 ii, a far better camera in my opinion, but the lens mount is too close to the handgrip, I had to squeeze my fingers in between the lens barrel on some lenses, and the handgrip, and personally I’ve never been able to see much difference between a full frame camera, and an APS-C image. 

It was the ergonomics that prompted my return to the Olympus fold, even the base camera Olympus OM-D E-M10 iv has twin control dials on top of the camera, and can be bought new, as a kit, from under £800. Olympus, and Panasonic have over 100 lenses to choose from, with the micro four thirds mirrorless cameras having been in existence since Panasonic produced the G1 in 2008, followed by the Olympus E-PL1 in 2009. 

My choice of camera system was based on my change of needs. My workflow had markedly changed, I now predominantly shoot in RAW, and edit the images, but I also liked to shoot in JPEG to share on social media, and a single SD card meant that I had to separate out the RAW images, and the JPEG images when loading onto the computer, which slowed my workflow down. I therefore needed to have two SD card slots, I also wanted to have a joystick to control the focus point, and the camera must be weatherproof. My immediate upgrade path would have been to the Olympus OM-D E-M1 iii, but I felt like a change. 

Canon make some excellent cameras, I looked at the M mount APS-C cameras, but currently a poor range of lenses, no weatherproofing, and no dual card slots, the Canon RP is a great camera but no dual card slots. 

Nikon next, I like the Z50, but again with only two lenses for the APS-C (Nikon DX), I seriously considered the Nikon Z5, dual SD card slots, weatherproofing, and IBIS, however it was the lens choice, and cost of lenses, that determined my rejection of this choice. 

Sony wasn’t even a consideration, due to the ergonomics, but the lens choice, and image quality are outstanding, apart from the dust spots on the sensor which is a common problem on Sony cameras. 

Panasonic S5, I nearly bought this, my finger hovered over the “buy now” button, especially over the Christmas period when the camera body, and 20-60mm lens were on offer at £1300!!

Eventually it was the Fuji APS-C range of cameras that I was drawn to, with a choice of over 40 native lenses, the weatherproofing, dual UHS ii SD card slots, a joystick and the analogue dials on top of the camera of the X-T3 that won me over. I needed a high quality prime lens for my portraiture, and this has been filled by the excellent 35mm f/2 lens (50mm full frame equivalent). The 16-80mm f/4 constant aperture lens (24-120mm full frame) is ideal for travel, and landscape, and I have the excellent 70-300mm variable aperture lens (105-450mm full frame) for the wildlife. As a wide angle lens I have the Samyang 12mm AF f/2 prime lens (18mm full frame). The camera is reasonably small, and light, (heavier though than the Olympus), and makes a complete set with the camera body, the 16-80mm lens, and the 70-300mm lens all fitted into a small Manfrotto camera bag. 

As to costs, the X-T3 body was £899 new, the 35mm lens, and the 16-80mm lens were bought second hand, and I had to buy the 70-300mm lens new at £729, as it was only introduced late last year, so the price, size, and weight of the lenses suit my needs. 

The learning curve moving to the Fuji system has been fairly steep, some of the settings are inter dependent, as an example if I want to use the face / eye auto focus, then that overrides the choice of focus point, but once you know these things then it becomes easy, I’ll have the face / eye auto focus on for portrait sessions, and switch it off when shooting in other genres, and I have a function button assigned for this. 

Louth Photographic Society

by Derek Smith 19 November 2024
We were all deeply saddened to learn that our friend, and colleague Paul Gray passed away on Saturday after a short illness. Paul was a quiet, humble, unassuming man who approached any task in a professional, diligent manner, and was not afraid to quietly speak up when something was incorrect. I was privileged to accompany Paul on several photographic shoots. Working together backstage at the Louth Riverside theatre photographing a Fleetwood Mac tribute band, where we obtained some excellent photos, firstly from the orchestral pit, and then from the wings as the band performed. Climbing Mam Tor, with Dave Turner, Paul, and myself in the pre-dawn dark to try and capture that iconic sunrise photo, unfortunately the sunrise didn’t appear, just a lightening misty greyness in the east. Disappointed, we moved on to Stanage Edge, Winnats Pass, and Padley Gorge as the sun broke through the mist, to take some great landscape images. On another occasion we set off for Whitby, at “silly o’clock” in the morning, for another sunrise shoot, this time being much more successful. Our reward for the early start was a glorious red sky as the sun rose over the seaward horizon. We ate bacon baps, and downed huge mugs of tea for an early breakfast in a “greasy spoon” café, before going on to take more photos around the picturesque Whitby quayside, and harbour. In July this year I accompanied Paul to Bridlington for a four-hour boat excursion along the coast to anchor offshore RSPB Bempton Cliffs to watch diving gannets catching fish thrown from the boat, the scene, and noise from those gannets was an incredible experience. Wonderful memories of Paul, he will be greatly missed by his family, friends, and the Society.
by Graham Harrison 17 November 2024
Good morning All Firstly my computer is not working at the moment, I am hoping to get it sorted just to retrieve the files on it. Hopefully will be sorted for next week. Last week at the club member Dave Turner gave a pdi presentation featuring Englands East coast from Northumberland to Norfolk. We were treated to some excellent photography from many places that were familiar to many of us but from maybe different angles to what we are used to seeing. The NEMPF exhibition results have been sent to me, as a club we had 7 accepted. This week, Wednesday 20th, we are holding our PDI of the year competition judged by LPA president Gail Wrigg. Regards Graham
by Derek Smith 14 November 2024
One of our members, Dave Turner, an accomplished landscape photographer, took us on a pictorial journey down the east coast of England, from Northumberland, through Yorkshire, Lincolnshire, and finally Norfolk. I was especially taken with some of the images shot from different viewpoints, Lindisfarne castle viewed from the seaward side, Dunstanburgh Castle viewed across some vicious large beach boulders, and the Longstone Lighthouse viewed from the rocky foreshore. Of course, on the east coast of England some of the sunrises can be spectacular, as several of the displayed images showed. Small fishing communities such as Runswick Bay, and Staithes demonstrated how characterful the Yorkshire coast can be. In Lincolnshire, we viewed seal pups at Donna Nook, motorcycle sand racing at Mablethorpe, and the promenade at Cleethorpes. Our pictorial journey ended in Cromer with views of the pier. A big thank you to Dave for presenting a stunning collection of images, and it was interesting to learn some of his techniques in capturing these scenes. Thanks also to Dave Mann for the refreshments.
by Derek Smith 13 November 2024
Arriving at Lincoln for our direct LNER Azuma service to London Kings Cross, I was surprised to find a Network Rail leaf treatment train, topped, and tailed by a pair of very dirty Class 66 locomotives, idling with it’s typical Class 66 rhythmic whistling sound, at the usual departure platform for our LNER service. The leaf clearing train consists of 5 tank wagons, and a compressor mounted on a flat bed wagon, this train travels along the track pressure washing the leaves, and leaf residue from the rails ensuring better grip for all rail traffic during the winter months. The following morning in London, my partner and family took me on a surprise visit to Battersea Power station, we had boarded the Underground Northern Line to Battersea Power Station Station on the recently opened Northern Line extension, not knowing where I was being led, I dutifully followed the family into the refurbished power station, this cavernous space has now been converted into a shopping centre. I was last here in 1968 to visit the working power station as a part of my electricians training course, and it’s very definitely changed since then. Led to the upper level of the shopping centre, I found that my birthday treat was a ride up a lift installed in one of the iconic power station chimneys. From the queue 20 people are moved forward to an exhibit area, then through a slowly opening door into an audio-visual show detailing some of the history of the power station, apparently the power station wasn’t bombed during the Second World War, as the chimneys were used as a navigation point by the Luftwaffe. After the audio-visual show, the group climbed 39 steps to the circular lift which elevated the group to the top of the chimney, the lift rises above the rim of the chimney, and glazed windows offer a 360 degree panoramic view over the London skyline. The windows had some raindrops on slightly obscuring the view, but that enabled me to capture this Monét style image. We completed the day with a lunchtime meal and travelled back to our base in Stratford using a fast Uber Boat catamaran down the river Thames to North Greenwich Pier for the Jubilee Line to Stratford.
by Graham Harrison 12 November 2024
Good Morning All Last week at the club we had a fascinating evening with Alan Harniess coming along to the club whilst visiting family in Louth. Alan showed us his two projects that he had completed photographing strangers he met in the street or pubs around the Birmingham area. There is a blog on our website explaining more. This week, Wednesday 13th, one of our members Dave Turner will be showing photographs from along England's East Coast. Don't forget to enter the PDI of the year if you have not already, the deadline is 6pm this Wednesday. Regards Graham
by Derek Smith 7 November 2024
Our speaker last night was Alan Harniess, he spoke about his Flickr project “100 Strangers”, the intention was to photograph 100 Strangers around his home town of Birmingham. He often found it daunting to walk up to complete strangers in the street, and ask to take a photograph of them, often he retreated to a local public house for refreshment, and sometimes found subjects in there. Alan's collection of images that he showed represented a complete cross section of British society, young, old, beautiful, care worn, characterful, and ethnically diverse. Alan’s work was inspired by the eminent portrait photographer, Jane Bown, and he had one of her photographic books on display. After the break Alan showed images from his next project, “One Family”, he spoke about his dismay about negative media commentary on ethnicity, when his experience of talking, and watching people living their lives painted a completely different picture, people just living life, and making friends whilst being indifferent to colour, race, or religion. Alan’s collection of images with mixed race couples, or friends demonstrated the diversity of current British society. Thanks Alan for a fascinating talk, with some amazing imagery, perhaps his talk will inspire members to begin a project of their own.
by Harry Kerman 4 November 2024
Graham Harrison, Dave Turner and I attended the LPA PDI Inter club Competition yesterday, 3rd November. It was well attended by the 12 LPA clubs that entered the competition. The judge was Steffan Nicholson from Newark, who apparently stepped in at the last minute as the original judge had Covid. Steffan though very critical, was very fair in his comments. However, he did make many assumptions concerning some of the images. There were some very good images from the clubs and the standard was high. The judge held 15 images back from the 108 entrants and of those he gave three 20’s. Dave Turner was one of the 15 and scored 18 points for his image, Louth’s highest scorer. Well done, Dave. The eventual outcome was Grimsby taking the honours with Axholme 2nd and Cleethorpes 3rd. We came 7th which unfortunately was not as high as last year. Diane Seddon from Cleethorpes took the individual trophy with a stunning image called The Travelling Man, it depicted a man on a bench in the pouring rain. Well, that’s it for another year, let’s hope next year we can again be in the top four, illustrated here is one of Dave Turners earlier images, Kings Cross - Going Down
by Graham Harrison 4 November 2024
Good Morning All Last week at the club we had members giving 15-minute mini lectures on club outings as well as other subjects. There is a report on our website, but it was a very good evening ending in Richard Hildred showing Bromoil prints. This week, Wednesday 6th November Alan Harness will be speaking and showing PDI's, Alan is travelling quite a way to speak to us so hopefully as many members as possible will be there on the night. If you have not entered the PDI of the year, send your entry to Harry as soon as you can please. Today at 1pm we are as a club taking part in the LPA club PDI competition at Nettleham, hopefully we will have a few members attend the competition. Regards Graham
by Derek Smith 31 October 2024
At our meeting last night, members of the Society gave a series of “mini lectures”. The topic for the evening was intended to showcase images from the summer Society outings to the nature reserves at Donna Nook, Chambers Wood, and Kirkby Gravel Pits. Unfortunately, owing to the paucity of wildlife this year at the various nature reserves the wildlife images were short on the ground, members stepped up and produced some exceptional images from over this summer. Dave Turner produced some beautiful monochrome images of grasses, and thistles from Chambers Wood. Tony Gaskins stunned with one of his trademark long exposure seascape images, followed up by atmospheric images of his trip to the isle of Harris, and a beautiful image of a Gannet inflight at Bempton Cliffs. Paul Twomey produced some excellent considered images from a visit to the National Trust properties at Quarry Bank, and Lyme Park in Cheshire. Graham Harrison as the Society President had attended all three outings found the greatest concentration of wildlife at Kirkby Gravel Pits, and this stunning image of mating damsel flies is testament to that. Chris Birchmore treated members to a selection of his images of local churches from the Open Church week, as well as photos from the Heckington Show, and steam road engines at the Driffield Showground. Last, but not least, Richard Hildred passed around some of the prints from the Bromoil Circle box, this heritage photographic print technique creates some exquisite artistic prints. It was fascinating to see the diverse skills of members of the Society, a big thanks to members who participated in the lectures making for a wonderful evening. Thanks also to Dave Mann who tirelessly provides refreshments for our evening meetings.
by Paul Malley 29 October 2024
One of the many things that life has taught me, is to be very wary of Politician's promises; alongside this is a growing skepticism in the ability of Weather Forecasters. Knowing October, I was expecting a cool, perhaps damp day but no indication of the fog at the Coast (according to our esteemed TV forecaster). Heading south over the Wolds and then past Alford the mist was bad, turning into nasty fog patches. Chapel St Leonards, as my destination, was pretty much a white-out in parts. Yet again, I do what most photographers do and adapt as best as possible to the situation. I had committed myself to a walk along the sea front, but in setting off, with the muted colours and absence of people, I thought a moody Black & White set may present itself. I enjoy attempting to visualise a B&W scene, then trying to produce my thought on the monitor with the software. I'm nowhere near as proficient as some, but the fun is in the trying. Armed with the Canon EOS 5D iv and the 24-105 f4 L IS series lens, I shot in Manual mode, setting1/250sec and using the aperture range of f8-f10, letting the camera traverse the ISO scale in Auto ISO. I find Auto ISO a real bonus as I can establish both the depth of field I want, and the time the shutter stays open (despite the light level), to let me hand hold, having confidence that the exposure is maintained as I want, through the Auto ISO. Another clever feature (useful when mist and fog are involved) is the Canon's functionality to alter the EV in Manual mode by reassigning a Fn button, rather than compromising a change in set aperture or shutter speed. I spent about an hour walking round, hardly any people around other than a few hardy walkers taking the air and a lovely lady with a Greyhound. Any day with a camera in hand is a good day, it was also pretty much free until we called in at the Garden Centre on the way home, but that's another story... Don't be put off by the weather, where possible embrace it, there's an image out there somewhere. The visit in the mist showed me low contrast levels, muted colours and how it's nice not to be trapped by people in every scene.
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