APS-C vs. Full Frame Sensor
Derek Smith • 4 August 2022
APS-C vs Full-Frame: What’s the difference?
Full-frame sensors measure the same as 35mm film, which is 36 x 24mm. Meanwhile, smaller APS-C sized sensors measure in at either 23.6 x 15.7mm (Nikon, Pentax, Sony, Fujifilm) or 22.2 x 14.8mm (Canon). That makes full-frame about 2.6x larger in terms of total surface area size.
As already mentioned, there is also Micro Four Thirds (17.3 x 13mm, MFT), and Medium Format (43.8 x 32.9mm).
Full-frame sensors can be found in the best full-frame mirrorless cameras, as well as many of the best DSLRs. You’ll even occasionally find a full-frame sensor in a high-end compact camera. Full-frame sensors are used by Canon, Nikon, Sony, Panasonic, Pentax, Sigma and Leica.
You’ll find an APS-C sensor in many of the best mirrorless cameras too, and they’re also commonly used in DSLRs. APS-C sensors are used by Canon, Nikon, Sony, Fujifilm and Pentax. Again, occasionally there are APS-C sensors found in high-end compacts.
The physical size differences lead to both advantages and disadvantages, which we’ll discuss in more detail below.
What is a crop sensor?
You might hear the term crop sensor from time to time, which simply means something which is smaller than full-frame. It’s a term which is most commonly applied to APS-C, but it can also be used to describe even smaller sensors, such as Micro Four Thirds, or even the smaller sensors that you find in compact cameras and smartphone – though it’s rare to hear those described as such.
What is a crop factor?
Crop sensors have a crop factor that you need to take into account when using lenses with your camera. When using a full-frame camera, whatever focal length is printed on the lens (for example 100mm) is what you’ll get when you shoot with it. However, when you use a smaller sensor, you’ll need to apply a “crop factor” to get the equivalent focal length.
Nikon, Fujifilm, Sony and Pentax APS-C sensors have a 1.5x crop factor, while Canon APS-C sensors have a 1.6x crop factor. Therefore, the 100mm lens mentioned above gives you an equivalent of either 150mm or 160mm – simply times the focal length by the appropriate crop factor.
Other sensor sizes have different crop factors. A Four Thirds sensor has a 2x crop factor (100mm becomes 200mm), while a one-inch sensor has a 2.7x crop factor (100mm becomes 270mm). It also works with bigger than full-frame sensors too – medium format has a 0.79x crop factor, which would make a 100mm lens equivalent to 79mm.
List of sensor crop factors:
Medium format = 0.79x
Full frame = 1x
APS-C (general) = 1.5x
APS-C (Canon) = 1.6x
Four Thirds: 2x
One inch = 2.7x
What are the benefits of APS-C?
When it comes to image quality, it’s a general rule of thumb that a bigger sensor equals better performance – but there’s plenty of advantages to APS-C, usually depending on what exactly it is you want from your camera.
One of the big advantages is that APS-C systems are normally smaller and lighter than full-frame equivalents. With smaller bodies and smaller optics, it’s a good choice if you don’t want to carry heavy gear, such as while travelling or for hiking long distances. If you want to shoot handheld, it can be easier to keep smaller and lighter bodies stabilised, too.
On that note, the crop factor also means that your longer lenses don’t need to be as long, heavy, or expensive as full-frame equivalents to get you closer to the action. That’s why cameras such as the recently announced APS-C cameras Fujifilm X-H2S and the Canon EOS R7 have been pitched strongly as wildlife and action cameras.
Speed is also something that is generally easier to achieve with APS-C, especially at affordable prices. Cameras like the Canon EOS R7 offer up to 30fps shooting, in a camera which costs a fraction of the price of similarly speedy models, such as the Nikon Z9 or the Canon EOS R3. That gives ordinary amateur photographers without the big budgets of professionals the chance to capture fast-moving action in a much more affordable fashion.
Does sensor size matter?
Having a smaller sensor can give other benefits as well, and here’s an example which illustrates the cost and weight advantage of using APS-C, particularly when looking at the whole system, which includes the camera and lenses.
APS-C system: Fujifilm X-H2S, plus 16-55mm f/2.8 and 100-400mm f/4.5-5.6 costs £5200 and weighs about 2700g.
Full-frame system: Nikon Z9, plus 24-70mm f/2.8 and 100-400mm f/4.5-5.6 costs £8800, and weighs about 3500g.
To sum up, the main advantages of APS-C cameras are:
Cheaper
Faster
Smaller
Lighter
APS-C cameras are best for:
Wildlife photography
Sports photography
Travel photography
Street photography
Photographers on a budget
What are the benefits of Full Frame?
Full-frame is often seen as the “gold-standard” for many photographers, with APS-C often thought of being the preserve of enthusiasts and those with a lower budget. While that’s not strictly fair or accurate these days, there are lots of advantages of using a camera with a larger sensor.
If the best image quality is your main concern, then generally speaking, full-frame will help you achieve that in a wider variety of settings. Low light performance is generally better, as is dynamic range for the most part.
If you crave super high resolution cameras, you’ll only find them with full-frame (and larger sensors) too. APS-C tends to max out at around 26-32 megapixels, whereas full-frame offers up to and beyond 50 or 60 megapixels (you can go even further with medium format, where you can now get 100 megapixel sensors). This generally makes full-frame better suited to high-detail type shots, as well as giving you more flexibility when it comes to cropping in post-production while still maintaining a high pixel count.
It’s easier to achieve a shallow depth of field when using a full-frame sensor. Although you can achieve the same look when using crop sensors, you might need to get too close to the subject for the same kind of background blur. It’s generally why portrait photographers, for example, prefer to use full-frame.
When it comes to using your lenses, knowing exactly what you’re getting (i.e. 100mm = 100mm) when shooting full-frame is more straightforward. That also means if you’re using older / vintage lenses from DSLR or even film days, you know exactly what you’re getting when using them on mirrorless full-frame models.
To sum up, the main advantages of full-frame cameras are:
Better image quality
Higher resolution
Easier shallow depth of field effects
Straightforward to understand lens focal lengths
Full-frame cameras are best for:
Landscape photography
Portrait photography
Low light photography
Studio photography
Which should I buy – APS-C Vs Full-Frame?
There’s not necessarily a right or wrong answer when it comes to full-frame vs APS-C and deciding which you should buy. You should think about the types of subjects you like to shoot, the budget you have available, and how much bulk and weight you are prepared to carry around.
If you’re a landscape photographer, for example, looking for a high-resolution camera which can deliver exceptional dynamic range, and you also want to shoot in low light, then full-frame is the obvious choice. Similarly, if you’re a portrait photographer who wants the best resolution and easy-to-achieve shallow depth of field effects, full-frame is the way to go.
On the other hand, if you’re a wildlife or sports photographer and don’t want to splash out on a super-expensive full-frame camera, but you do want to get close to the action, use fast-frame rates and carry something small and lightweight, then APS-C is probably the more sensible option. Travel photographers who don’t want to unnecessarily weigh themselves down might also choose to opt for APS-C, or Micro Four Thirds for an even smaller system.
To conclude, the simple truth is that no, not every photographer needs full-frame. While the larger sensor will provide higher image quality in lots of different scenarios, you’ll also have to pay the price for it both in terms of cost and size and weight. For that reason, many will be served just as well, if not better, by choosing a crop camera.
Louth Photographic Society
Good morning, All, Last week at the club we had our monthly print competition, Trees and Open. There was a very good entry with a high standard of photography on show. Tony Gaskins was first in the Open and I managed a first in the trees, all the results are on our website and there is also a blog on the evening. This week, Wednesday 1st July, we are having an outing to Kirkby Gravel Pits, if we meet at 6.30 at the reserve, though you can arrive earlier as there are usually dragonflies etc around the entrance. If we walk straight ahead first, then anyone who arrives late can find us. I have struggled to find a map, but you can see the location on the Lincolnshire wildlife Trust website. Kirkby Grave Pits is also a good reserve for birds. Tattershall Road 1 mile south of Kirkby-on-Bain Woodhall Spa Nearest postcode LN10 6YN. Please note - postcodes are for the nearest registered address as we are unable to get postcodes for nature reserves.
A print competition was held last night with the categories of "Trees" as the subject, and "Open". Our judge for the evening was Gail Wrigg from Barton who did an expert job. The first category to be judged was the "Open" with the high standard of prints making the choice of top placement difficult, and Gail held back 9 prints for further evaluation. There were some chuckles from members around one of Richard Hildred's prints of wooden electricity poles titled "In my previous life I used to be one of them" an "in" joke from Richard, which totally baffled Gail. After the break Gail judged the "Trees" category, with 7 prints held back this time for awarding of higher marks, the beautiful colours of some trees, especially the autumnal images contrasting with the stunning monochrome infrared prints from Richard Hildred. It was a great evening, with excellent prints on display, and the website Competition page has been updated with the full results.
Good Morning All Last week we visited the nature reserves at Fir Hill quarry and Muckton wood. I have written a blog report on the evening which is on our website. You can always try something a little different like I did using camera movement. This week, Wednesday 24th June, a print competition will be held, with the categories of "Trees" and "Open" and is to be judged by Gail Wrigg. The following week we have an outing to Kirkby Gravel pits. If you want advice on camera settings etc the outings are the perfect opportunity to ask other members while we all have our cameras. Regards Graham
Each year Louth Photographic Society begins a new project, one photo taken each month on a specific subject, that's 12 photos presented on "Project Night" in January. Last year the subject was "Prime Time" one photo each month taken with the same fixed focal length lens. This year the subject is water, the subject sounds easy enough, and I've completed 5 photos already, but I'm struggling a little with a photo for June. I'm currently on holiday in Corfu, an island surrounded by water which should be easy, but I'm yet to find the "definitive" photo for the project. These are my photos so far this month: Best regards Derek
Good Evening All
Summer is here at last, maybe?
Last night a few of our members had an outing to Old Bolingbroke village. Initially visiting the Lincolnshire Wildlife Reserve of Sow Dale, off Spilsby Hill at the village entrance, I was a little hesitant at first at entering the reserve because of the grazing cattle. When the cattle herd moved up the hill we climbed over the stile and entered the reserve, as we began to take some photos around the reserve though, the herd returned, but seemed quite docile. Later in the evening we moved on to Bolingbroke castle, and took several photos of the castle, fauna, and flora. It was a lovely evening, good to get out with cameras, and socialise with others.
Good Morning All Last week I went to the Lincoln cathedral to see Queen by candlelight, a great night of music and some different lighting in the cathedral. Last week at the club we held our 1 st round of the LPA Battles against Grimsby and Scunthorpe. Members from the two other clubs attended making it a very full room with some excellent photography on show. Scunthorpe won on 255 points, Louth 2 nd with 250 points and Grimsby 3 rd with 245 points. This week there is a 2 nd round LPA Battle at Grantham on Tuesday evening, if any member wants to attend, please contact me for more details. We did decide to have an outing on Wednesday 10th June, I had thought of Donna Nook, but Derek has come up with another idea, Sow Dale and if time permits Bolingbroke Castle both out Horncastle way. Derek is going to see if it's worth visiting Sow Dale and will let us know. Don't forget to send your print titles to Dave Turner. Regards Graham
It was the LPA Battles last night, with Louth hosting Scunthorpe, and Grimsby. Diane Seddon was the judge for the evening, and gave excellent critique of all the the prints presented to her from the three clubs. Our club room was packed with our members, and representatives from Scunthorpe, and Grimsby clubs. At the break the points scores appeared fairly evenly matched. However, it was the highest scoring prints that swung the competition in favour of Scunthorpe, their still life prints of "Sunflowers", and "Weights and Measures" scored 20 points each, taking their cumulative score to a winning 255 points. None of Louth's prints achieved 20 points, but ended with a respectable 250 points. Grimsby produced some strong prints, "The Road to Talmont", and "What's Your Name?" received 20 points each, their overall score was 245 points. As Diane Seddon said the submitted print entries were of a very good standard, resulting in a closely matched contest. Congratulations to Scunthorpe for securing the lead in this LPA Battle round contest.
Good Morning All I did go to Chambers wood last week, not too much around but the Marsh Fritillaries are back again in the meadow. We had a good turnout for the meal on Friday, hope you all enjoyed it, thank you to my partner Jane for organising all the food orders. Everything went to plan until the chef dropped the roulade, hopefully your replacement was just as good. This week we have our first round of the LPA Battles against Grimsby and Scunthorpe. The judge for the evening is Diane Seddon. There should be a good turnout for this one with the other two clubs attending. The print competition with the categories of "Trees" and "Open" is to be held on the 24th of June, please email Dave Turner your titles and then bring your prints in on the night. Regards Graham
